風景 Streaming Avec Sous Titres En Français

During Muraishi's time in prison for fraud, he recalls his past and learns a power to penetrate and cure others. Upon release, he goes to Hakodate, where he can find his ex-wife, Kiriko. Though he cures a lot of people on the way and believes that he is the only one to make Kiriko happy, he is being depressed by discovering a guy together with her.

The story starts following an incident: a young girl jumps from the top of a building. The image provokes a certain dread, as the girl appears to have been a corpse even before she jumped. The case is dismissed, yet more and more of these suicides occur, and all from the same building. Thus began the rumour, that a ghost inhabited the rooftop of the building.

Maan has recently lost her lover, Sam, a painter who died tragically of an incurable disease. Before his death, he was remembering a beautiful landscape from the days when he was still a boy living in Qingdao in China. Maan goes to Qingdao to find this landscape. There, she meets Lit (Liu Ye), a postman who will help her to find that place. A relationship grows between Maan and Lit but she can't forget the love she had for Sam.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.

A program that explores historical buildings in Japan and abroad, highlighting the transformations of their surrounding landscapes over time.

A female director from Japan is in Saigon, preparing to shoot a film when her male lead suddenly leaves. She begins to rethink the meaning of the resonances and exchanges she has experienced in the city, leading her to perceive the images in front of her more clearly. Unexpected encounters and planned arrivals — these two almost contradictory concepts oscillate in her mind interchangeably. What she feels is not a remembrance of the past, but the future. The traces Saigon has left on her body form a sculpture without dimensions.

This work depicts a "five" locked room mystery drama about two high school students, which develops in the first train in the early morning, the family restaurant after school, and the gondola of the Ferris wheel. A word that suddenly changes from everyday life to extraordinary, a psychological warfare on searching each other's minds. Youth, a fragile blue human figure, is depicted in a peculiar situation called a locked room.

One father finds life nearly impossible to live as he attempts to raise his nine children on a pitifully small salary.

Views of Hong Kong was produced by Hong Kong Tourist Association to promote Hong Kong and attract foreign visitors, providing a precious record of old Hong Kong..

For its grandma's funeral, the child goes to its father's hometown. Facing the argument with his wife, the hostile relatives and his mother's death, the father cries before his child for the first time.

The third installment in the "Landscape of lovers who are not anyone" series directed by Michio Koshikawa, which depicts men and women passing each other and attracting each other. Sugi-chan, Saki's husband and painter, collapsed a few years ago and her left half of her body was stuck, and she is no longer painting at all. One day, Sugi-chan said she wanted to draw Saki's nude. While supporting her working life at her late-night family restaurant, Sugi-chan was delighted that she wanted Sugi-chan to draw again, but she couldn't live without relying on Sugi-chan. I was feeling annoyed. The bodies and minds of two people passing each other. On the day when a big crack was born between the two, Saki is connected with his family colleague Yukio. Aika Yukihira and Sugi-chan, who play the role of Saki in "Be My Slave, Chapter 2 Please Call Me Your Master," act as an actor on the stage while having paralysis on her left side. Tadatoshi Ogita plays each.

This animated documentary is derived from footage shot at the site of the Sanrizuka struggle opposing the construction of Narita Airport. In addition to scenes evidently shot before and after the Nihon Genyasai Festival in Sanrizuka, it features time-lapse sequences showing abandoned houses and construction equipment leveling requisitioned land. “The footage was filmed in Narita. Because this land had been seized, I became conscious of the intensity of my own inner landscape. My time-lapse filming of the landscape was intended for use in an animation-as-documentary.”

Zhi Hui (Huang Pin Yuan) is a hardworking blue collar worker that has to sweat under the sun everyday in order to support his family. He is happily married to Xiu Mei (Rene Hou) with a daughter (Gao Jing Rong). However, his life changes from good to bad when she is diagnosed with cerebellar atrophy. Zhi Hui finds it hard to accept the reality of his wife’s illness and decides to take care of her by pushing the wheelchair with his wife and travel around the island. He brings her to listen the sound of the waves and watch the sunset. Together, the family endure the sweetness and the hardship of life.

Chinese steam locomotives, which attract the attention of the world, have been visited railway enthusiasts from Europe, Japan and around the world. As China’s railways push for diesel locomotives, these steam locomotives are about to be eliminated. This time, we will be shooting HD to leave a lasting image of the steam locomotive!

“The passing of time would be meaningful and memorable only when something happens.” Commissioned by Chiayi Art Museum, the crew revisit locations where photographer FANG Ching-mian, known as Uncle Hsin-kao, shot 70 years ago in Yushan (Niitakayama). The story of Uncle Hsin-kao and landscapes is told by interweaving a variety of climbers, scenery and Bunun Narration. The narration implies the presence and absence of certain characters in Taiwan history. Through the off-screen voice, a layer of discourse is created with the narrator's role, Bunun's lines, and the images. The absence of the indigenous people in the history of photography, the presence and revisit of the crew, the reports and postcards created by Uncle Hsin-kao reveal a poetic story between Uncle Hsin-kao and landscapes.

The 80-year-old grandfather is suffering from senile dementia and his mental age has degraded to only 5 years old. Sometimes, he groans and talks to the air at home. There’s nothing much we could do. He seems to live only in his dream and gets deeper and deeper….

An experimental film created from 3 years worth of abstract pencil drawings with the goal of being a catalyst for unveiling a new mental landscape in viewers.