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More than 60 years ago, my father followed his parents and took the train to Kaohsiung. Little did he know it was a one way trip and grew up in Liuhe Night Market ever since. Then he became a Japanese tour guide, traveling around and accompanying countless families. The most complete time we spent together was to go out with my father’s group–a way to improve intimacy. Due to the pandemic, his work has been suspended. If the past is a kind of scenery where sight-seeing is laid above; this film is a journey of himself.
The Addams get tangled up in more wacky adventures and find themselves involved in hilarious run-ins with all sorts of unsuspecting characters.
A month's vacation with the family can mean a lot, which is what Lily realizes when she returns home after several years living abroad. Her mother, a character with an exceptional simplicity, forces her to visit their relatives, giving her a family tour through the abandoned landscape of her childhood making her explore her own frustrations, limitations and faults we all inherit.
Plucked from an orphanage as a literal love slave, the now adult Natalija (a luminous Kseniya Kutepova) serves her ape-like husband by tending his prized cow—whose milk they sell to customers on passing trains. When hubby suddenly drops dead, however, Natalija’s narrow life of cows and rails finally starts opening up. Dumping his body at the local hospital, dropping by church to say a few prayers and trading in the cow for a pet goat, she slowly eliminates all trace of his former hold on her, searching out a new life in the freedom that emerges.
