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DUAN Chang-wen left his hometown Sichuan, China in 1949, and followed the Government of the Republic of China to Taiwan. DUAN Tsai Tsai-chiung, a young female from Taiwan, worked diligently in a textile factory. For the next forty years, they lived in a military dependents' village and worked in a clothing factory. As the factory closed down and the village being demolished, people started to move away. The DUAN couple, however, continued to live there. Their memories and lives were being captured by their granddaughter in this film.
Sarushima Island lies off the coast of Yokosuka Port. In the late Edo Period the island was outfitted with artillery and in the Meiji period a fort was constructed by the Army. After Japan’s defeat in the war, it was opened as a sea park and young people began to make it a destination. Noda visited it to shoot in black and white in 1968, and in color in 1983. In excluding human figures from the screen and filming ruins and graffiti in their materiality, he experiments at creating a visual poem.
