告別 Streaming Avec Sous Titres En Français

A middle-aged man who had emigrated many years ago and now is returning to Taiwan to help deal with the funeral affairs of a friend with whom he has not had contact for many years. But he is encountering many difficulties because he is not a relative and can not sign legal documents. This trip is a journey back to his hometown and about nostalgia; it is also an atonement for a late farewell.

Yuichi Kosaka is a salaried businessman in Ueda city. His achievements have not been improved recently, and he is betrayed by the manager of takada. Takada, who is related to the company's executives, is very strict with him. Every night late, Yuichi is often dissatisfied with his wife, Kazue, and his daughter Sanae.On the other day Yuichi ran the car aiming at his home village. However, it is lost in the mountain road which should know well. An old public telephone keeps in sight, and yuichiro stops the car before it. It was Yuichi who had been able to find the name of the old high school classmate, Tai in the old telephone book, and dial, and was surprised to hear the voice of the big. It was because the voice was as it was 30 years ago. The telephone was connected to the past.

On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they'll ever be able to say goodbye.

Unfinished 8mm film by Yukiyasu Shimada.

An essay film that interweaves meditations on travels with stories of journeys in China across a century: A student expedition into the heart of China in the 1930s, a young traveler's visions of the melancholic landscapes of his homeland, the narratives of movements in early Chinese silent films. Through these fragments of travelogues, the film explores the nature of consciousness in motion and what it means to use archives, images, and cinema as documentations as well as vehicles for travel.

Matt, a mute bounty hunter, arrives at a jazz bar where he meets the bar owner who not only knows everything about him, but also his arrest warrant with a very high bounty. Matt originally is after his target and his family but fate drags him into the infighting of the corrupted governors. He and the orphan of his target face tedious situations and finally continue their journey in the wild wide west.

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My youngest granduncle is the photographer in my extended family. On every special occasion, we always see him moving about with a camera. Switching from analogue to digital compact cameras, he documents the happiness and sorrow, life and death of family members. One day he asked me to make a ‘retrospective film’ to be played at his funeral. I took on this assignment and began a journey with him.

Hong Kong action star Max Mok stars in this period drama as Lau, a eunuch living at the end of the Ching Dynasty. Lau finds himself absorbed in the past along with another eunuch named Siu, and the two fall in love as they share their passion for Peking Opera. Unfortunately, they're unaware that their relationship serves as the catalyst for a series of events that end in disaster. Twilight indeed!

After announcing his retirement from music, Leslie Cheung performs his “farewell tour”, which ran for 33 consecutive sold-out shows at the Hong Kong Coliseum in 1989.

Anita Mui's final concert after announcing her retirement in 1991.

Henmi Ayumi is a nurse working on the front lines in the convalescent ward of a hospital, where she tends to patients who have either a few months left to live or have difficulties in daily life due to certain medical conditions or dementia. As she witnesses the life and death of a variety of patients, she strives to make their days in hospital the best they can possibly be despite the circumstances. Hirono Seiji is a doctor who transfers from the general ward to the convalescent ward on a part-time basis, and along with Henmi he becomes involved in the affairs of the patients and their families.

In her early twenties, Hiam Abbass left her native Palestinian village to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to the village and questions for the first time her mother’s bold choices, her chosen exile and the way the women in their family influenced both their lives.

An aging actress is desperate to become a mother. In menopause and too controversial for legal adoption, she decides to illegally adopt from a pregnant teenager while publicly faking pregnancy. The ensuing media circus at first revitalizes her career but then threatens to grow out of control and destroy everything she cares about.

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

A headstrong Chinese-American woman returns to China when her beloved grandmother is given a terminal diagnosis. Billi struggles with her family's decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.

The loss of a loved one, the grief, the risk of yellow skin, and a coffin, that is too much for Karl to face. Then it's much easier to fix a broken lamp. Karl meets Torben, a destined brother. An absurd, humorous, and melodic meeting between two old men captured by grief.

David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”