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"Come Tomorrow" (1963), directed by Yevgeny Tashkov, is a much-loved comedy about Frosya Burlakova, a talented young woman from a remote Siberian village who comes to Moscow with dreams of becoming a professional singer. The film explores themes of hope, talent, perseverance and the pursuit of dreams, while also highlighting the contrast between the practical city dwellers and the idealistic villagers, suggesting that wisdom and truth can be found in both perspectives.
This movie is based on a novel by Boris Vasiliev and describes life in a small Russian provincial town in 1940 - one year before Germany invaded the Soviet Union. The main characters of the film are ordinary Soviet high school students. They study in the Soviet school, try to be correct and ideological Komsomol activists. But not always the “correctness” suggested by the teachers coincides with the inner convictions of young souls - it is difficult for them to come to terms with the fact that their relatives and loved ones are suddenly “enemies of the people”.
The story revolves around the people of Sète, France. Their lives are punctuated by family rivalries, romance and scenes from daily life, but also by plots involving police investigations, secrets and betrayals.
Elephant, Boa and Marmoset decide that the future had already come and mark New Year.
In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see. Possibly their only excitement of the week is buying a lottery ticket, which, for a few seconds, gives them a chance to dream. Yuliya Shatun’s camera, at first oddly focused on the white expanses along every roadside, then begins to scrutinise the teacher in his comings and goings – a precise recording with, however, a hint of the moroseness of a terrain so rare in today’s cinema. The teacher has stoically adapted to a degenerate world and a life fuelled by stifled shame. An odour of neglect wafts between the apartment blocks, the uttered words and the background noise of the television. A certain irony floats in the air too, and it needs Yuliya Shatun’s patience to grasp and take responsibility for it.
Animation dedicated to the fight against the dictatorship in Belarus and its victims. The regime has forgotten about such important concepts as freedom of opinion and human rights, the dictatorial regime sweeps away everything in its path. But freedom, first of all, is inside of us. This animation is a gesture of solidarity with all political prisoners in Belarus who were not afraid to tell the truth and are in prison now. The musician and animator of the film, in turn, also went to prison, after which this project was born.
The film raises environmental issues and examines the nature of the relationship between the manager and the team.
People came to the rally. Why are they here, what do they want to change and why do they leave so early? In a role of themselves - young and elderly citizens of Yekaterinburg, Russia.
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
On liberation from prison of a group arrested after the defeat of the 1905 Russian revolution and workers sentenced to death.
Two kids once argued about whether it was possible to play out a book plot in life - they almost quarreled. Sixteen-year-old Erkin solved their dispute. He organized a fun game of Moydodyr, where everyone had a place and a role. This children's game is the plot of a cute and funny movie.
The story of how a son gets a second chance to find a mother. About how war generates only human grief and creates unhealed wounds. The hero of the picture, 40-year-old Walter, left his native land for several years and works as a foreman at one of the Moscow construction projects. He builds not only houses in Russia, but also tries to build his new life. However, one day a phone call from his homeland breaks all his plans. Walter learns that the hostilities have reached the village in the mountains where his mother lives.
Kurdish Family who decided to immigrate from Russia to Sweden. Along the way, the plot turns into a detective story during their stay in Russia.
A story of Belarusian children that are enrolled in a special school. The orphans live in gymnasium shelter under poor conditions and high-school students are showing interest in life in Soviet.
Reflection on the way the Soviet production system turns workers themselves into commodities.