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Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
The parents' violence on their children. Father and mother can each have hidden violence in the family universe.
Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.
Through the eyes of his friends and the adaptation of "Espèces d'espaces", this original documentary offers the least institutional image, the most friendly, the closest to Georges Perec. This documentary is composed of two films that respond to each other: one is a montage of conversations that Bernard Queysanne had with some of Georges Perec's many friends. They remember above all the man: the one who wrote on any piece of paper, who excelled in the art of puns, who liked to party with his friends and who lived sometimes unhappy love affairs. The other is an adaptation of "Espèces d'espaces", the writer's reflections on places: rooms, buildings, streets and districts.
The film evokes the stay in Brazil of Claude Levi-Strauss, an ethnologist, who stayed there from 1934 to 1938. His stay gave rise to the book "Tristes Tropiques". Based on images taken in 1935 and today, his statements reconstruct his intellectual journey in the field of ethnology. Searching for primitive worlds, he tried to understand the Indians whose decaying societies offered an "essence of social life." The work gives us an account of the importance of this scientific and philosophical expedition.
"A propos de l'improvisation" is the title of an episode of the French TV talk show series Un Certain Regard which ran from 1964-1975.
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.
Alexandre Alexeieff and wife Claire Parker demonstrate and comment on animation techniques used to create illustrations for books like Zhivago and films such as The Nose and Night on Bald Mountain
They lived intensely. They were beautiful. They were inseparable. They were five but now there's only four of them - A group of childhood friends drowned in the murky waters of grief, a brutal return to reality - Arthur refuses to grow up without his friend and tries to get away by pursuing a dream that was previously buried: writing a movie. But he can't prevent the demons of the past from re-emerging - Torn between love and friendship he gradually loses control, at the risk of dragging everyone into his downfall.
The glory and collapse of the grand Republic of Venice: the reasons are numerous, complex, human and all too human. Are these the same ingredients, the mélange that might determine whether the current Europe will survive? And if so, under what conditions? Jean-Marie Straub poses the question in this film, more austere and concentrated than ever.
Short documentary about the Gentse Floralien.
Pascal and Martine are married, have children, but are getting bored with each other. Pascal is tempted by a beautiful salesgirl with whom he finally has a date. But the bombshell promised more than she actually delivers. On the other hand, he is attracted to his precocious niece Sophie. But he only becomes her confidant, living vicariously her first sentimental experiences with boys of her age. On her part, Martine winds up responding to the advances of her office manager who has been trying to pick her up for months. She follows him to his apartment but the alleged Don Juan is nothing but a boor who prefers to watch a soccer match rather than to make love to her. In frustration, she leaves him sprawled before his set while she returns to Pascal. They realize their extramarital experiences have reinforced their couple and can now live happily ever after.
Part of a series in which foreign filmmakers portray a region or town in France. Manoel de Oliveira looks at Nice.
About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.
Gérard Courant films the routes of his voyage in Greece with a Super8 camera. Reflections, waves, ports and landscapes are edited at a dizzying pace; in their midst, portraits appear of a very beautiful woman, along with images of the director who turns the camera on himself, showing his face reddened by the sun.