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With the school year coming to a close, Charlie Brown is trying to work up the courage to meet his dream girl, whom he only knows as "The Little Red Haired Girl." However, he's too nervous to go meet her upfront and all his attempts to impress her at school backfire disastrously. His friends, Linus and Peppermint Patty, try to help, but only aggravate the situation, while Charlie Brown desperately tries to find a solution to this romantic conundrum.

Jeff Foxworthy's observations have made him one of America's favorite comedians. He's the bestselling comedy recording artist in history, a multiple Grammy Award nominee, a bestselling author and a popular TV, radio, and film performer. Now you can see this outrageously funny comedian talking about life, dating, marriage, and family in the classic You Might be a Redneck If. (filmed in 1991)

Known for his wild hair and his often-imitated phrase, "What's up, fool?," comedian Felipe Esparza headlines his first solo concert since winning television's "Last Comic Standing" competition. Famous as the subject of many stories told by fellow comedian Gabriel Iglesias, the Boyle Heights native mines humor from the struggles of everyday life for this hilarious one-hour special.

Grease: You're the One That I Want! was an NBC reality television series designed to cast the lead roles of Sandy Dumbrowski and Danny Zuko in a $10 million Broadway revival of the musical Grease to be directed and choreographed by two-time Tony Award-winner Kathleen Marshall. The Broadway production began previews at the Brooks Atkinson Theatre on July 24, 2007, and officially opened on August 19. The TV show, from the producers of Dancing With the Stars, was patterned after an original format created by Andrew Lloyd Webber for the BBC series How Do You Solve a Problem Like Maria?, which selected the lead in the successful 2005 West End revival of The Sound of Music. The show's title was taken from the song "You're the One That I Want" from the 1978 screen adaptation of Grease. Although the song was not part of the original Broadway production, the revival will add the songs written for the film to those written for the original Broadway production. The program generated so much interest in the upcoming Broadway revival that, as The New York Post reported on April 4, 2007, ticket sales had topped $9 million, although the TV show was a "ratings loser".

An interview with the producers of Monte Hellman's 1971 film TWO-LANE BLACKTOP.

Aspiring actor Joe McDoakes blows his first part at Warner Bros. and has to settle for being a stand-in.

A new craze has hit cyberspace. They're called virtual worlds and are 3D computer generated universes where you sign up, choose a body, build a house and you're ready to live out your Second Life. In online virtual worlds, like Second Life, everyone is beautiful or exotic. You can chat up strangers, slay mythical dragons or create your fantasy business and even make real money. Some claim Second Life will be more influential than eBay or MySpace. 'You Only Live Twice' takes a fascinating, sometimes humorous, look at the heavily marketed promises and potential pitfalls of virtual worlds.

In 1990, Tina Turner, touring in support of her seventh studio album Foreign Affair, hit the stage at Olympic Stadium in Barcelona to deliver an absolutely heroic performance in front of 75,000 people.

You Don’t Have to Go Home, but . . . is an ode to dancing bodies, a grimy love letter to Philadelphia, a story about what to do when the DJ has played the last song, the club’s lights have come on and you gotta go . . . somewhere. Following three dancers at different stages of their lives, with legendary Philly dance party Second Sundae as backdrop, this documentary film examines the possibility of spiritual fulfillment in a socioeconomic configuration that ultimately doesn’t value the practices that make us free.

Joan Crawford plays a widow named Joan Fairchild who stumbles upon a group of ESP enthusiasts that decide to use their abilities to scare her to death. Extended version of an episode of the series "The Sixth Sense". This was Joan Crawford's last acting role. Aired Sep 30, 1972.

Former party boy Edgar is finally ready to settle down. He's got a thriving T-shirt design business and is about to get married, but on his wedding day, his best friend tempts him into a day-long binge in Los Angeles.

Our fruity friend meets up with Blake again as they reminisce on the breakout hit, The Fruitfather.

Tommy, who has been unemployed and has been employed after a long time, goes on a date with his girlfriend before he goes to work for the first time, and also bumps into the mill together. Tommy comes home with a lot of disgusting jokes about his girlfriend and wakes up with a man he's never seen before... He ran to Ji-hyeon from dawn, but Ji-hyeon tells him to leave before reporting. How will Tommy deal with this absurd situation...

Mel learns how to take down the patriarchy and also the number one way to put women on top.

A bitter conflict between the Government and the Indonesian Football Association has seen Fifa ban all official football in the country for almost a year. This is the story of how one of the largest football crazed countries in the world have had to live without the beautiful game.

A love letter to my mother, I Just Want You to Know is a semi-autobiographical animation based on my experience dealing with different stages of grief from losing my mother. The film follows a boy’s journey to the crematorium to have his mother cremated; as he writes the letter to his mother, he reminisces about his memories of her. Struggling to make peace with himself, he understands his love for his mother and accepts her departure. Based on true events, the letter in the film is the original words I wrote for and to my mother. Dedicated to my mother, this film encourages the audience to express their emotions to their loved ones. Before you know it, they are gone.

John is leaving for university, sending him and his partner Kelsey back into a long-distance relationship. Not willing to say goodbye, Kelsey tries to get him to enjoy their last moments together.

From accumulated live footage recorded over a period of three years, this piece weaves itself in and out of experiences of differentiation and distance, closeness and otherness and questions of discourse and construction in the viewing and constitution of the subject.

A stunning live performance from O'Connor's native Ireland, at the end of her first Irish tour in 6 years serves as O'Connor's self-imposed farewell to the entertainment industry. Also included as bonus features is a documentary on the making of "Sean-So