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After a health mishap, at the age of 72, the painter Matías Quetglas decides to recall his own story and sits in front of the camera to rescue pieces of his life from the smoke of oblivion. With his friend Jesús Gáchez as the narrator, Matías will soon realize that, like the boy from Saint Augustine, wanting to recount a life in an hour of film is an excessive pretense, and he then derives his effort in distilling his thoughts and sensations that have emerged and have accompanied him during his journey through creation. Philosophical reflections, thoughts on aesthetics, searches to find the place where Art and life itself intertwine, are unraveled as he walks through his essential spaces: his studio in Madrid, his house in the countryside in Ávila, his beloved space in Menorca. With no other script than the one elaborated between musings about Art and thoughts of life, Matias Quetglas builds an intimate, visual and poetic story about his own existence.

Dear, Can I Give You a Hand? explores the erotic obsessions and existential panic of a senior citizen with a deadpan narration as touching as it is disturbing.

Five years since the last fan club tour, Perfume will hold 'PTA 10th Anniversary and 5th Anniversary 'Perfume and You' Hall Tour'!

A leading Australian photographer interprets and photographs the recurring dreams of four refugees living on a housing estate in western Sydney with both moving and highly surprising results.

The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.

Ruby and Micky are at the head of Carl's cocaine business. But one afternoon Micky decides to kill Carl by sending his girlfriend as a gift.

Joe McDoakes can't find a job as a bassoonist, so he pawns his instrument.

Director Donegan recasts herself as Warhol superstar Viva from his 1967 film "Nude Restaurant".

Eleven-year old Mísa has the temperament of a proper boy and endless problems with the grown-ups. It is no wonder that he longs to become an adult without further delay. Mísa keeps house together with his father and has various duties. After a failed attempt at dish-washing he goes off to the research institute where his father is working on an important invention. He is trying to produce a substance that would make poultry and other animals bigger and thus help the struggle against famine in the world, but so far he has only managed to produce a shrinking substance. After his father leaves the laboratory, Mísa mixes up different ingredients and makes the growth substance. He drinks it and instantly becomes an adult. His father, conversely, turns into a toddler after drinking the shrinking substance with his beer by mistake.

The son of a junkie aristocrat and a schizophrenic showgirl becomes a master of reinvention on a 50+ year journey through rock and roll, TV, and movies.

A teacher uses a puppet clown, the black-board and mounted pictures in teaching primary school children to arrange events chronologically when telling a story.

"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.

In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)

After her mother’s death, Stacey moves with her uncle Will to a remote region in the Irish midlands. As the two cautiously get to know each other, they have to deal with the dark shadows of the past.

The Wind Over Yamatai-koku: Ancient Japan was full of small territories, so new wars kept starting without any respite. Among those territories, Yamatai-koku was a fertile area which believed in the importance of union, but as its influence began to spread the rival Kuna-koku begins to desire its rich resources, and attacks Yamatai-koku continuously. This show is a magnificent historical fantasy centering on the new top combi, Asumi Rio and Senna Ayase. / Santé!!: “Santé” is the French word meaning “cheers!”. Wine is beloved around the world. Just as you enjoy wine, we hope you will be intoxicated by this extremely unique, beautiful, and extravagant Takarazuka revue show.

Joe just told his boyfriend, George, that he is a serial killer. George thinks that his boyfriend, Joe, is hilarious... and he just saw Patricia Arquette at Target!!! In the horror/comedy hybrid, 'You're Killing Me', we take a look at the life and death consequences of dating in the age of incessant chatter. Joe and George meet just as Joe is coming out to himself as someone who loves to kill. George, on the other hand, can't decide which wig to wear for his next YouTube video. As George's friends start disappearing, one by one, he must face the undeniable fact that Gretchen might not be coming back with crushed ice for his party #YouDontNeedIceForChardonnay.

Two people develop a special connection at a farewell party in post-revolution Cairo.

Thailand’s strategic position and political orientation made it the ideal ally for the United States during the Vietnam war. Through an astonishing mix of contemporary and archival images, All the Things You Leave Behind deploys precise criticism to analyse a little-known page of modern history, emblematic of contemporary power games and warfare.

2000 live-action Japanese film.