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A 1992 film by Ilse Biberti.

A lonely sex worker becomes mysteriously pregnant with what seems to be divine intervention.

A depressed man searches for meaning to stave off his own spontaneous combustion.

The script is an improvised sexting session I had with my collaborator Noa Simhayof Shahaf, which we held in order to create an original narrative that would contain our different desires. The explicit text functions as a base to the implicit, scripted performance of the two actors. Each actor was a proxy of either Simhayof Shahaf or I, but while we felt comfortable to be playful and outgoing during the writing process, it was important for us to remain soft and withholding in the way we portrayed living female bodies on the screen.

Rita was always the richest, prettiest and most spoiled of the five friends. She always had everything under control. Even back then, at the time of the "incident." Now, years later, she's in charge once again. Her plan is to surprise her friends with a weekend in her family's remote and secluded hunting lodge. A spoiled and bitter young woman, she knows the power she wields. If she wants them to laugh, they laugh; if she wants them to forget the incident that is their dark and private secret, they must remain silent. With plentiful schnapps, uninvited guests and pent-up recriminations on the verge of explosion, the emotional turmoil inside the lodge is more violent than the storm brewing outdoors… Charlotte, the doubter, is no longer willing to ignore the past, and seeks atonement. Then Rita is found murdered. They know that one of them did it – and that they all had good reasons to do so.

Every day we each make a series of decisions, some big and some small but all that shape our future. We are all on a journey of self-discovery, juggling life, love and loss along the way. We all have to choose the steps we take and will each meet people who will change our path forever. In a song cycle of his most acclaimed works, sung by some of the best voices in the west end, award winning composer and lyricist Scott Alan leads us through a year in the intertwined lives of six people facing the joy and heartache of the human experience, as they each search for their own version of happiness – which is, after all, what it’s all about.

When Vivienne, a spirited young writer born of wealth, meets Henri, a young farmhand with nothing but the shirt on his back, these star-crossed lovers must face her family, societal norms and the inescapable grips of war.

Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).

The story of the starvation camp Pechora on the border between Transnistria and the German occupied Vinnytsia district in the Ukraine. A "model" camp that illustrates the murderous policy of the Romanians towards the Jews: death by starvation and disease.

A man reaches his contact at the FBI to let him know that an alien invasion is beginning.

can you love someone too much?

'Now that I've resigned myself to living, how am I going to make something of it? There's a question I ask of myself and ask of everybody who is struggling to heal themselves, everybody who is dealing with AIDS, dealing with being gay, dealing with this painful world: Where is your passion? Why do you love, and what are you doing about it?' These words of Bill T. Jones (Bill T. Jones/Arnie Zane Dance Company) open IT HAD TO BE YOU, a film that looks at three Philadelphia Gayborhood couples, two male of differing generations and one female couple, as they negotiate life, death, love and why we're here.

What would you do if your girlfriend had bad breath?

film by Dirk de Bruyn & Glenn D’Cruz

"After the success of his feature film 'Masala,' Srinivas Krishna returns to personal filmmaking with 'Tell Me What You Saw', a lush meditation on bucolic pleasures and a formally precise and emotionally engaging study of the properties of light." - Toronto International Film Festival

Set 10,000 years after the myth of Chang-E’s ascension onto the Moon, ‘The Very Thought of You’ centers around the hallucinatory experience of a Moon refugee who was broken out of his cryo-vacuum stasis by reasons unknown. In his helpless and delirious state, the man began wondering if he was really hearing the voice message of an ex-lover who he had to abandon in a bid for personal survival. The boundaries between freedom and restriction, past and present, individualism and collectivism, will blur and may even dissolve, in this dusky corner of the Moon.

A moment on Rose St, Edinburgh, where Margaret Tait used to live.

In this comedy/mystery a milquetoast ad man finds his good ideas constantly copped by ambitious coworkers. His boss doesn't even seem to see him. The ad man's wife pushes her husband into confronting his boss during a party. Unfortunately, the timid fellow finds himself accused of murder after a corpse is found in the trunk of his car. He is quickly incarcerated for the crime. Meanwhile his wife begins investigating in an attempt to prove his innocence.

A young woman begins receiving phone calls from an old friend who's left her life.

Paul, on receiving a phone call from his girlfriend, tears himself away from his workaholic life and sets off for Italy. On the road he settles down at the wheel, listens to the hum of the tires on the asphalt and enjoys the journey. But he is held up by a breakdown. By the time he arrives, his girlfriend has already left. Longing to see her he lingers on, and while he passes the time he experiences moments of unexpected delight. His waiting turns into a voyage of indulgence. His longing grows and tantalizes.