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Part of BFI collection "London on the Move". Informational film about the London Underground’s ticket machines and automatic barriers.

A secret love is beautiful, sweet and sacred when it's just a light infatuation; but when that person reaches over and touches you in the heart, making it alive in a way it has never known, that secret love becomes disheartening when you finally knows what happens behind the scenes.

This film reflects the filmmaker's ambivalent feelings towards the new age of digital technology. As many as twenty picture elements per frame are composited by conventional and digital means. The resulting visual cacophony suggests a state of information overload.

A regular day of a lonely young man.

A lovely young lady pays a visit to a doctor. She has got a hang up in regards to certain marital aids, thanks to unwittingly witnessing some dude in the act, using a fairly monstrous one on some other gal. She's so appalled by this that she makes a couple of repeat visits and sees the same dude do the same thing to a few other chicks on a few other occasions. The doctor's got the right idea for a cure though, and that's to break through her mental block with some vibrator love. Once she's had a taste though, she needs more and he's only too happy to give it to her. Hopefully her insurance covers this.

A film about the controversial Belgian multidisciplinary figure, known for his theater stagings, his choreography, his ballpoint pen art, and even bicycle racing. This fictitious portrait projects Jan Fabre into his own imaginative universe and composes a character who changes ceaselessly identity, plays numerous roles under the most varied disguises; behind a mask, still another mask… The female character, like a ‘demon of passage’ using different faces, haunts the male character and inspires his metamorphoses, ad infinitum.

About the scientific fact that god looks like Naima.

A bandleader falls in love and marries a small town girl.

The starting point was a still from the film Au Hasard Balthazar by Robert Bresson. From there, pure automatism.

A teenager goes to talk with his friend about a mysterious dream he had, only to realize that it may never have been a dream at all...

An internal struggle ensues when a young man is confronted with the choice between his girl and his smokes.

You Can Always Come Home explores the architecture of the domestic realm through the eyes of young children in Miami by celebrating the ritual, family, love, and culture cultivated in the Black diasporic home.

Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

They can be seen in the whole of Greece: the small and humble buildings along the roadside dedicated to a saint. Often a burning candle illuminates the colourful interior. Most of them are erected to the memory of a beloved, killed in a car accident, others because someone has been miraculously saved. They are the evidence of a daily devotion and are called 'proskynitaria' or 'ikonismata'. The older ones many have been built becuase somebody had a significant dream on the spot, or to indicate the place of a former church or perhaps to protect the entrance of a house against ill luck. Each 'proskynitari' has its own story. This documentary tells us some of these stories and shows an importnat aspect of how the Greek people deal with death and what role religion plays in everyday life.

Margo and Oliver connect through a state of lucid dreaming, and the two continue to escape their realities together. Outside of her dreams, Margo is confronted with a terminal illness that threatens her life. In a last dying effort, she travels once again into her dreams to part with her beloved friend. She finds Oliver, only to discover their dream world is about to collapse.

The documentary blends fiction and non-fiction to tell the story of a young woman whose encounter with the intense natural beauty of Iceland inspires her to examine her comfortable notions of sanity and creativity. The island's intensity reminds Andrea of her schizophrenic brother Jacob, a young man who isn’t bound by the conventional standards. “Delusional” thought and “erratic” behavior seem not so different from Andrea’s untamed surroundings in which the wind rants, the clouds are grandiose and the seasons bi-polar.

Cindy, alone, grieves the War's end. After her husband Tom returns, her only companion, Barbara, withdraws. As fantasy meets reality, Cindy slips away...the past her only reprieve.

a bear falls in love with a girl

In the middle of the Atlantic, Helena rekindles an old friendship with Ceu, an astrophysicist who recently relocated to the Azorean island of Santa Maria to study exoplanets. Caught between the island’s geological inheritance and the vastness of the cosmos, the two friends reconcile with the various space exploration infrastructures that are stationed on the island. A work of science-fiction inspired by the various space resources currently existing in Santa Maria, See You Later Space Island is a loose tale of friendship and endurance.

Retired Oscar-winning actor Calvin Adams attempts to outwit some neighborhood kids in a battle to sell the most lemonade.