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“After All I Didn’t Force You” (1998) is implicitly a reaction to the forms of individualism in a developing modern mass society. Yang Fudong strings together takes with different characters so quickly one after the other that they “lose face.” A man explains to a woman the sentence "I didn't force you". Separate movements of 12-14 people are combined/cut to form a fictive man who repeats the words "I didn't force you" to a woman.
Two men live together, but one of them makes a huge mistakes. While is boyfriend is not at home, he cheats at him with a stranger. Afterwards he felt a pang of conscience, but that is not the only thing he suffers from.
Unmask the myths, cover-ups and political manipulations concerning the world's most deadly killer virus! THIS shocking and visually appealing documentary, filmed in twelve major cities in the United States and Europe, unmasks the myths, cover-ups and political manipulations concerning the world's most deadly killer.
Shows the facilities and techniques of the FBI and its agent training and dramatizes apprehensions. Reel 1, J. Edgar Hoover introduces the film. Fingerprints and criminal files are shown and explained. Dramatizes events in the capture of John Dillinger. Personages, Homer S. Cummings, John Dillinger. Reel 2 shows prominent persons, places, and objects in the Urschell kidnapping case, dramatizing the apprehension. Shows classroom and field training of FBI agents. Reel 3 shows scientific methods used to gather clues and evidence from murder weapons, clothing, and objects that reveal physical characteristics.
The world is overflowing with sadness. People are surrounded by emptiness, and loneliness has filled their hearts. / If it's that painful, you can stop. / If you really don't like it, you can run away. / Do you want to be at ease? To feel at peace? Do you want to become one with me? To have our bodies and souls become one? / But if I have to be with you, I'd rather die! / Don't worry. All living things have the ability to return to their original form, and for the heart to go on living. / Reality does involve pain, but you just have to accept it. / Anywhere can be heaven as long as you have the will to live.
Documentary conversion with David Suzuki and his wife Tara. Adapted from a scrapped stageplay due to Covid-19 restrictions. Talks about relationships, environment, charity, the planet, and love.
A series of experimental vignettes that expound upon the dark irony of the accompanying performances from the critically acclaimed band, Xiu Xiu. From jellyfish floating in the sky to hand-drawn animation, award winning director Courtney Fathom Sell explores a variegated palette of expression. Featuring favorite tracks like Bog People, Boy Soprano, and F.T.W., the latest single from their recently released LP, Women As Lovers You Cant Hear Me is a unique and dreamlike experience from start to finish.
Two queer exes reunite at a party.
What happens when you travel to the birthplace of green slime? For an entire generation of classic Nickelodeon fans, it's like finding the Holy Grail.
A pair of hands folding origami objects learned in childhood embody the reflection on a mother's voice that can no longer be heard.
Line-up: RSP vs Jacob Fatu Extreme Rules: Masada vs Gangrel Atticus Cogar vs Zachary Wentz NPU Rules Handicap Match: Parrow vs 44OH! Bobby Beverly & Eric Ryan Eddy Only “Only Fans Gauntlet” Match featuring: Lexi Gomez, Sadie Suicide, Katalina Perez & Chelsea Durden Jody Threat vs Kelsey Reagan Otis Cogar vs Kevin Giza Anthony Henry vs Jake Christ
The second documentary from Swedish comedian Jonas Strandberg. A spiritual sequel to "Det blev ingen CD" - this is the story about the most frequent studio audiences in Swedish television history. A story about the ones who are always there but rarely noticed.
A classy mansion on the outskirts of a big city. The terrace door is open. Anne wonders why. She can't remember having opened the door and her daughter Lisa is still out. When she returns home, Anne tells her the news that her father canceled the weekend trip. As always, it comes to an argument between mother and daughter. The stubborn teenager locks herself in the bathroom. She finds the words "Daddy hates you!" written on the bathroom mirror. Lisa knows exactly who did this. Her drunk mother wants to drive a wedge between Lisa and her father. But suddenly Anne has a horrible realization - The two of them aren't the only ones in the house.
Produced for Dazibao, Montréal. A serious, sometimes humorous, reflection on Karrabing understandings of the ancestral present.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
I'm Moshanty. Do You Love Me? is a musical profile of the late South Pacific recording artist and transgender activist Moses "Moshanty" Tau and members of the LGBTQI community of Papua/New Guinea.
What is a dog? Loyal, obedient, submissive, owned. Or violent, instinctual, vigilant and wild. Whatever it is, it’s waiting.
Dramatisation of the popular song.
After being sexually assaulted by a stranger, a gay man quietly begins his recovery. But when he reaches a suicidal breaking point, his trauma begins to affect his partner's mental health.
