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Zagreb. A family: Ana, the mother, Katarina, Tvrtko and Drazen, her three grown up children, and Tvrtko's girlfriend Natasa. The story begins in the morning when Natasa, after a quarrel with her boyfriend, comes back home, a two-bedroom apartment where her mother and brothers live. This brings a little bit of confusion in the family's everyday schedule. Through many dialogues we get acquainted with the members of the family, their personal problems and frustrations and their interesting and sometimes strained relations with no serious hard feelings, though, their biggest problem being the financial inability to move away and start living on their own.

Benoit has his life all planned out before him. Unfortunately, he had totally forgotten to include his military service. Inevitably called into duty, he tries everything he can to avoid it, eventually launching into a hedonistic lifestyle—out of control with drugs, alcohol, and nightclubs.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

After he loses his job, his father, and his girlfriend, Jan's life is a shambles. Then suddenly he meets freakish street musician Vera, and a bittersweet romance unfolds...

Three strangers, two men and a woman, end up sharing a compartment on a train leaving Beijing for Shanghai -- the lone woman is quiet while one of the young men is gregarious and funny, and the other is more reserved, but compassionate. Eventually, the men cannot help but note the woman's silence -- it turns out she is running away from her employers who felt she was pretty much a derelict, and from some friends who were of questionable ethics, though she is not about to say anything to the two men. When she gets off the train in Nanjing, one of the young men from the train -- somewhat worried about his silent travel partner -- decides to follow her to make sure she will be okay. And it is a good thing he did so because she is menacingly approached by some obvious thugs and the young man gets her out of the potentially hazardous encounter.

Leo brings his girlfriend to his dysfunctional and gambling family.

Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.

Notebook for a past or future film, shot in Los Angeles, Hogg roams the city like a haunted place where memories, anxieties and fantasies mingle.

With the school election looming, Linus is talked into running for school president. With Lucy and Charlie Brown as his campaign manager and Snoopy and Woodstock assisting, he stands a decent chance of victory. Soon however, he makes unrealistic promises and learns the hard way that preaching about the Great Pumpkin can not be considered a sound campaign strategy.

Chinese film directed by Wenji Teng.

Laurie has been in show business since she was a child. Her dream is to be a singer, songwriter and actress. Her father wants her to be a comedian like him and Laurie only tries because it pleases her father. But she is a lousy comedian. She auditions for everything and is engaged to Ken, but Ken does not understand her needs. She has a one night stand with Chris, only to later find that he is a director. She has many emotions that have not yet been addressed and she must face them before she can get on with her life.

This audaciously dishonest spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Lucky Dickerson") was created piecemeal using lengthy sequences from Fidani's previous films. The premise has legendary gunslinger Django (Hunt Powers) recounting some of his greatest adventures to a rapt Wild Bill Hickock (Gerardo Rossi as Jerry Ross) in a saloon. The stories which Django tells are entire scenes from such Fidani films as Arrivano Django e Sartana... E la Fine! (1970), Inginocchiati Straniero... i Cadaveri non Fanno Ombra (1971), and Quel Maledetto Giorno d'Inverno Django e Sartana... all'Ultimo Sangue (1971). Fidani regulars Gordon Mitchell, Dennis Colt and Lucky McMurray also appear.

Jokes as a weapon of resistance: how satire sustains a beleaguered culture.

a love letter, with a zoom that is an absurd.

With the unexpected dismissal of 2045 workers, the strike by Ssangyong employees has received the most public support and attention since the IMF. It was an intense period inside and outside the factory.

A woman in her mid-Forties longs for a settled life and a man to share it with. Having ejected her current lover, she is forced to restrict her choice of partner to those with skills in building or carpentry so she can renovate the tumbledown house she inherited. To find such a dream match, she resorts to a dating agency but her carefully laid plans soon flounder when she finds herself falling in love.

Jupiter May Be Closer Than You Think is one in a series of improvisational films that combines elements of gothic horror and psychological thriller, touching on themes of being alone, alienation, psychological deterioration, self-destructiveness, suppressed tension and boredom.

Clara, already bored with her mundane high school life, finds herself trapped in a mysterious time-loop where the only person with answers has a mysterious Student Council agenda.

Roman Porno from 1972.