You Can

You Can Dance: Po prostu tańcz! is a televised Polish dance competition with a format based on the American show So You Think You Can Dance. Dancers compete to win PLN 100,000, and a 3-month scholarship in dance school Broadway Dance Center and International Dance Academy in Los Angeles from season 7 on. The winners to date are: Maciek "Gleba" Florek, Artur Cieciórski, Wiola Fiuk, Ania Kapera, Jakub Jóżwiak, and Dominik Olechowski.

In the middle of the countryside, Virgile is trying to reconnect with his childhood friend. But he discovers that Anthony has sunk into the throes of self-destruction and surrenders to extreme sexuality.

A country where the former dictator is elected president, helped by young voters. Young journalist Ananta wants to know why she and her whole generation grew up without knowledge of the atrocities committed in the 1980's.

An adaptation of the story by Seuss, of an elephant who could hear the voices of little people even when nobody else could.

During World War II, the "dark years" in the Philippine history, Tacing is a woman involved in different love affairs which resulted in endless trials and tribulations.

The absence of memory fills the void with sounds and images stored in time and space. A photograph is a seemingly motionless time, but which is now able to slide backwards. And make a film.

Wataru Kurenai, Keisuke Nago, and Otoya Kurenai introduce themselves to a boy (the viewer) who has wandered into the Café mald'amour and offer to teach him how he can be like each of them. This DVD is referred to as an Adventure Battle DVD and it takes on the form of a Choose Your Own Adventure story.

Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.

After a double-cornea transplant He Yiyi finally recovers her sight; six months later, however, her eyes are still giving her pain. Her ophthalmologist, says that is normal and maybe due to a part-rejection of the new corneas. He gives her some special dark glasses to help her recover; but she also starts having nightmares and visions, as well as losing her hair...

What drives a man to spend his days between the ring and work? What makes the fight between good and evil repeat itself over and over again, in the ring of a club in Buenos Aires or in the most watched TV program of the 60s and 70s?

What keeps popular policies of social welfare from the seat of power? Over nearly two decades, Arata Oshima follows a politician navigating splintered opposition parties in a landscape dominated by the right-wing.

Known for what must be the cheapest and cheesiest of the indie film world, Troma films takes on Cannes with gallons of fake blood, the Tronettes, and numerous hijinks by an uncontrollable group of volunteer Troma fans, costumed, naked, and did I mention covered with blood? While any publicity is good publicity, the low budget Troma films must wonder what this will do to their reputation. And I think they're thinking, woohoo!

Lisa, a mannequin dreaming of the sea, meets the mannequin Josh and hears the legend of a mannequin who became a human through a kiss of true love.

It all began on a couch. He watched her undress and they made love for the first time.

Tag Me if You Can combines found footage of daily expressions on social media, blurring the distinction between private and public spaces. These sequences are accompanied by a selection of mainstream commercials that star Saudis, rather than people from abroad, owing to the rising popularity - or what the artist calls "the new media revolution" - of home videos, YouTube shows, and vlogs. Through inlays and cut editing, Anhar Salem breaks the strict opposition between these two regimes of images, the first related to television and the second to individual expressions. Her red Zentai suit-clad performance recreate wedding rituals in the kingdom to a score that includes commercial jingles, matrimonial songs and K-Pop tunes sung by young Arab girls. By using Instagram's red filter, she presents different social media practices on an everyday scale while further masking the identities of the performers, creating, as it were, vacuums in the map of the internet.

A young woman, who has almost given up hope of finding love, runs into someone in a cramped elevator. Someone who revives all her longings. The only problem is that she doesn't know he is or what he looks like.

Driving a private car in the southern city, Lovkachev sits red-haired fellow traveler Elena. They are brought together by a number of unforeseen circumstances. The journey ends when Lovkachev discovers a cache of currency in the car…

A reporter stumbles on a runaway heiress whose story could salvage his career.

A couple breaks up just as New York City locks down. Will the pandemic bring them back together? Shot on 16mm, a dramatic comedy about what we owe our lovers, our neighbors, and ourselves.