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A middle-aged man time travels to the past to become a teacher to his 17-year-old classmates. Hao Hui Gui is a 36-year-old high school teacher who is still single. During a gathering, he gets into a huge disagreement with everyone present and even gets into a fistfight with his best friend. Upon returning home, he mindlessly flips through his personal diary from 20 years ago and starts to recall many memories from the past. He falls asleep eventually and meets with his younger self in his dreams.

The film is slightly autobiographical, Raphael is trying to find fame and fortune as a popular singer in Spain until he teams up with an up and coming Spanish composer which helps him become a popular singer in Spain.

Born into a wealthy family, 17-year-old Masato (Emoto Tasuku) has never been deprived of material comforts, but his distant relationship with his parents leaves him empty and rebellious. Telling himself that his real mother is actually a woman who kidnapped him as an infant, Masato takes off to Okinawa to find her. Curious to learn more about her (Matsuyuki Yasuko), he ends up staying to work at her restaurant. As the two grow closer over time, an ambiguous relationship develops, not quite mother and son, not quite lovers.

You are here is a love letter between Hayley Morgenstern and Sarah Hill. We started this film before we were even pregnant, it was our way of bringing you here. This film portrays a nonlinear narrative of the alienating process of becoming pregnant as a trans and non-binary couple. The images move between claymation, animation, paper dolls receiving medical care, puppets and live footage and archival footage from our previous collaborations as well as found audio from a 1950’s informational pregnancy video. The rabbit is the third character in the film, representing a multitude of histories in regards to pregnancy and eventually becomes our baby.

To be lost means you cannot recognize space so on the mall directory “you are here” is the first step to restoring meaning to space but that assumes that a being and space are separate entities, one containing the other. But does space exist, as we know it, when it’s unobserved or does it transmute into marvelous forms that instantly snap back to normality when observed by a conscious being. It seems that space is fixed and stationary, as we experience it, but again behind our backs it may be flowing like a liquid violating all physical assumptions. So when we open our eyes to the apparent world is our consciousness the determining factor defining space, suggesting there is no space devoid of consciousness and are we in space or is it in us. Perhaps you are here should be here is you.

This film portrays a nonlinear narrative of the alienating process of becoming pregnant as a trans and non-binary couple. The rabbit is the third character in the film, representing a multitude of histories in regards to pregnancy and eventually becomes the baby.

Oryna, an 18-year-old Ukrainian girl, fled her homeland during the Russian invasion of Ukraine, while all her family, including her 7-year-old sister Ksiusha, decided to remain there. The film observes the daily remote communication between Oryna and her younger sister, and reveals their close bonds of sisterhood, which remain strong despite their separation, the constant presence of the war, and the natural process of growing apart.

Sebastian, a young male prostitute, is one of Georgs few remaining chances to break through his hermit-like everyday life in exchange for a few fleeting moments of being together with someone at least for a few hours. Georg loves Sebastians easy-going and playful manner. He loves the absurd stories that the boy spontaneously comes up with and Georg never knows whether to actually believe all of them or not.

A subtle melodrama in the old style about youth, memories and the first infatuation that never stops to shine. It is a story about the encounter between two separate universes, of a Russian student and an American researcher, in a tent in nature amidst stunning landscapes of the Caucasus. It begins well and ends well, too. The visual form which illustrates the film contents is an experiment with the format and the use of black, white and colour. With a scent of nostalgia, this cinema evokes the spirit of narration that is rare nowadays. It pays tribute to an old-style romance and is an expression of longing for the little big experiences in life.

Inspired by the Fifteenth canto of the Divine Comedy, in which Dante meets his teacher, Brunetto Latini.

The independent theater project Liquid Theater explores the topic of addiction by working with addicted patients at a drug treatment clinic. As a result of the work, a performance arises, and the main character, patient Ivan Ivanovich, becomes a clown.

A deaf man rebels against his controlling mother by dating a high-school drop-out who shares his disability.

Juanita wanders between reality and her dreams to cope with the absence of those she loves.

A fascinating and poetical collage of countless images from the 20th century with the purpose of revealing matters of life and death during the era and its many social, cultural and political transformations, with the director making several statements on several issues, combining fact and fiction to compose his powerful mosaic of images along with the magnificent music of Wim Mertens. A true work of art that dares to make several questions about the human condition, its contradictions and ironies.

Eccomi ... Eccoti unfolds as a virtual road trip navigating between Italy and Lebanon. Conditioned to live in a long-distance relationship with his partner because of strict European visa regulations, the director patches together the shared moments in an attempt to create a possible day-to-day reality for their couple. With a lyrical, ambient soundscape set atop a dreamy, atmospheric visual style that oscillates between still photography and moving images, the film explores what it means to be gay in contemporary Beirut and existential discomfort that blocks one from reaching a sense of complete-ness. Does such in-completeness have to do, in particular, with being gay? Or is it related to a grander malaise endemic to the human condition?

The narration of the filmmaker begins with the image of the "you" in her mind, as she repeatedly crosses a crosswalk. The image leaves the screen and is projected everywhere. The image leaves the screen and is projected everywhere, even on the toilet bowl and the artist's body. And the "you of now. A very personal monologue, like reading one's own diary, is beautifully expressed through the narrative style and the experimentation of the images.

Amelie goes to her psychiatrist to talk about her visions that only happens when she closes her eyes.

Angie must pack up her sister's home after she takes her life.

Kirsanov's 14-year-old wife is helped by two ghost hunters: former investigator Maxim and his strange mute partner, who himself resembles a maniac. The three of them will have to establish the true cause of the fire in which the mother Woman died, and find a merciless killer ghost capable of inhabiting the bodies of its victims.

Moscow, 1952, mid-October, the XIX Congress of the CPSU had just ended. A communal apartment on Bolshaya Pirogovka. In one of the rooms lives the Petkevich family: Ariadna with her husband Boris and her parents, professor of philosophy Peter Kazimirovich and his wife Angelina Fyodorovna. For those few months that remained until Stalin's death, the family experiences a series of dramatic events. But on a background of terrible time, antisemitism, fabricated "case of doctors", denunciations and snitches, there are people who live their lives without losing dignity.