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An amateur film shot in only 8 days.
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When a professor files a lawsuit against her over hand-written posters, university student Hye-ri goes to the clubroom to see her friend Min-young, with whom she made the poster. Finding her there with a new member, Hye-ri is caught up in an inner conflict.
China's first song and dance film was "Poetry Written on the Banana Leaf" directed by Sun Yu and starring Wang Renmei in 1932. A battalion commander's lover, named Zhao Zhao, wrote a poem on a banana leaf in memory of the battalion commander. Just as she was about to mail it, she met people in the village holding the Autumn Tage Festival. Zhao Zhao decides to participate the festivities with her friends. Unexpectedly, the banana leaf was lost on the ground. Zhao Zhao rejects a man who tries to pursue her. Mad being rejected, the man picks up the lost banana leaf. He decides to write his own name to it, trying to deceive the battalion comrade that Zhao Zhao has cheated on him. The film is thought to be lost.
An animation short about characterizing the characters of Chinese characters.
Among the voices that reverberate in one, but that come from beyond, a call is made. Between pieces of memory that are renewed as in a spiral, the voice of a woman from the Andes who tries to connect with her double in the present world emerges, to announce the beginning of the end.
One of the wives is late in having children, so the husband's mother annoys her and urges her son to marry another woman, but he postpones talking about this matter until he returns from a work mission. In his absence, the wife's brother tries to assault her, so she resists him leaves the house, and loses consciousness. Her husband's brother carries her home. She shows signs of pregnancy, so her husband becomes suspicious of her and divorces her. She disappears from her husband's life, the girl grows up, and the husband's nephew proposes to her and drops a surprise.
This work is an experimental documentary animation by the traditional Japanese technique of "ABURIDASHI". And it's consists of three parts: Beginning, Middle, and End. "Beginning" is a personal video made to celebrate the director's friend Hiratake-san. "Middle" is about Hiratake-san's anger at the government responses to the Great East Japan earthquake. "End" is about the fear of war in which get involved individuals. This work depicts how Nonoho Suzuki perspective changes from an individual to a nation over a period of 10 years.
A political amateur who was kneaded with art in the first half of the 1950s and was enthused with the idealism of politics in the second half, was now a person who was dealing with politics and state affairs 24 hours a day, gradually getting hotter and broadening his goals and horizons. In this section, you will follow the milestones of the poet's hopeful arrival in the 1970s, not a dream that the poet remembers with longing, but is no longer left behind. Contrary to the poem, you will recognize the struggle of a stubborn, belligerent missionary who is incompatible with the world. You will witness how it changed in that struggle and how this change affected a country...
She was one year old when she first lost her father. He left her mother and never came back to them. Now she's an adult, living in Prague, afraid she'll never see him. When he left her as a child, she doesn't remember ever seeing him. In this documentary diary, we follow the spoken and unspoken correspondence between an abandoned daughter and a father defending his homeland.
Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.
Sasha Kiselyov's stand-up concert, which he wrote 48 hours before his performance at the last Punchline festival.
Teenagers stumble across a prehistoric caveman, who goes on a rampage.
A man on a bike trip across the country gets killed in an accident. His lover, So-wol, moves to the island where he died and settles down. 3 years later, the couple’s close friend, Cheol, pays her a surprise visit. Staying at her place, he goes fishing or ventures out looking for a particular lighthouse. Slowly, without knowing, the seemingly mundane daily life of island mends their broken heart.
Kevin is a long-time, professional assassin, specializing in the termination of life. Mallory is a wild, poetic, beautiful young woman confronting her terminal illness and eventual suicide. She reaches out to Kevin to take responsibility for her corpse once she passes, requesting his protection of her dead body’s dignity until her cremation. Kevin’s acceptance of this request causes uncomfortable self-reflection and changes the lens through which he views death.
Mitch Wayne is a geologist working for the Hadleys, an oil-rich Texas family. While the patriarch, Jasper, works hard to establish the family business, his irresponsible son, Kyle, is an alcoholic playboy, and his daughter, Marylee, is the town tramp. Mitch harbors a secret love for Kyle's unsatisfied wife, Lucy -- a fact that leaves him exposed when the jealous Marylee accuses him of murder.