Women In The Vatican

Marta, 30, works as a psychologist at a prestigious college. Marta's life is settled: a successful career, a good-looking boyfriend Timur, an aspiring writer, and dreams of a family. Suddenly, her student Yulia tells Marta about her pregnancy and a decision to have an abortion. Yulia is 17 years old, her mother died a couple of years ago. And Marta, having mistakes of her youth in mind, decides to tell everything to Ivan, Yulia’s father, a wealthy businessman. Ivan turned out to be Marta's first and greatest love, Marta herself was pregnant by him 12 years ago, but terminated her pregnancy (and contacts with him) having found out that Ivan was married... It seems that fate gives Marta and Ivan a second chance to gain love and trust, but can they forgive each other and forget the mistakes of the past? What will be the fate of the 17-year-old Yulia?

A film about the history of Sweden's Social Democratic Women's Association.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

A race of Amazon warriors is enslaving the men of a country, and the mighty Thor is called upon to help them regain their freedom.

An immensely successful criminal lawyer is blindsided when he learns that his new case involves his ex-wife, who left him.

King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman falls overboard in a thick fog. Washed ashore, he saves a young Ismene from Proteus, an evil, shape-shifting creature. Ismene takes Hercules to Atlantis, where he discovers that her mother, Queen Antinea, has captured Androcles. Hercules schemes to rescue him and thwart Antinea's dream of world conquest.

Geraldine Kemper follows six women who have experienced sexual violence. As a result, these women have developed post-traumatic stress syndrome (PTSS). Geraldine takes them to Croatia, where they try to control their PTSD through various forms of therapy, led by a team of psychologists. After this trip, the women are guided and followed for another year.

Joon-sik happens to meet Bo-jin, a former room helper, in the neighborhood while he is tired of his married life with Soo-jeong. Bo-jin, who lives hiding his past, feels threatened by Joon-sik's appearance and demands money by catching his weaknesses...

During the last days of WW2, several female prisoners arrive at Camp 5 to work as sex slaves for officers and guinea pigs for horrific experiments by Nazi doctors who are trying to find a cure for burns. But these women are not going to die without a fight... Can they stay alive until the closing Red army comes to their rescue?

Women write art history – but in turn are systematically ignored by it. LOST WOMEN ART tells the story of the suppressed female avant-garde and by doing so introduces a new art history.

In the turmoil of the Spanish Civil War, a young man comes of age sexually, through a string of relationships with a wide range of mature, older women.

Seven women are sick of working in poor conditions on a farm. They steal a tractor and go to the city.

Popular gravure idols introduce famous hot springs in Kagoshima prefecture

Maxim and Svetlana 15 years together. He is a successful television journalist, she leads the heading "Women's Tears" in a popular women's magazine. One day, Maxim, preparing a report on influential politics, meets a young girl named Elena and unexpectedly passionately falls in love with her. Elena responds to Maxim in return, not suspecting that he is married. Sveta accidentally meets Elena, who, as it turns out in a couple of minutes, turns out to be ... her husband’s mistress. Both understand that Maxim deceived them. Maxim is not ready to choose between a devoted wife and a charming lover. Finally, women make a decision for him ...

Federico received a letter containing a few photos very involved with a girl. The problem is that his wife Alicia have seen those pictures, and decides to leave. To make matters worse, the next day comes to visit his uncle Federico millionaire and asks her maid to pose as his wife Alice for 24 hours so that it does not find out, but this will only the beginning of a big mess ...

While Mi-na is out, Hyeon-goo invites So-hee to his house and enjoys. She forces So-hee, who wants to go to sleep, back to her house because Mi-na doesn't know when she will come back. However, while secretly meeting Seung-mo, Mi-na informs Hyeon-goo that she cannot enter her house, and Hyeon-goo regrets sending So-hee to her house. But this time, he invites Soo-yeong, a business traveler, to his house.

“Ten Dark Women” was written by Natto Wada and directed by Kon Ichikawa in 1961. It’s a dark humor story about a married television producer who has a wife and nine mistresses. Ten of them band together and plan to kill him.

Ip-sae (Kim Se-in) is a caregiver with a body so full and voluptuous her clothes might burst off of her any time. All the men in her hospital ward wish dearly to be touched and cared by her. But all she has eyes for is her husband Cheon-dong (Jo Min-joon). However, her husband becomes sexually handicapped due to an accident even before they get to spend their first night together. Ip-sae tells her husband, "My love for you is eternal although we may not have physical bonding" but Cheon-dong doesn't believe in love that can't be proven physically and decides to kill her... "I won't let you go on your own. Life without you is meaningless to me." Se-ip decides to die with Cheon-dong and they leave on a suicide trip together. As if they were destined, Ip-sae meets Ha-kyoon (Ahn Sang-hoi) and becomes curious about the body of a man. She spends a night with Ha-kyoon and realizes there is another meaning to love. She breaks up with Cheon-dong and he feels betrayed.

When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.

Five portraits of actresses in their "common" life, seen as women rather than movie stars.