Women In The Vatican

On the coast of France, the police are raiding the streets and taverns at night in search of girls to send to the colonists in North America. A ship takes these girls to America, where they are placed in carts leaving for territories where colonists and soldiers are expecting them.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.

New employee Ho-seok is warned by the shooter to watch out for Lee Ji-sun. It turns out that Ji Sun was a new killer male employee! Moreover, as Hoseok's co-worker and Dae-cheol's sex partner, Joohee, began to look over Hoseok, Hoseok's corporate life is getting more and more dangerous.

When Zhang Hui is told by long-time best friend Xiao Gong that he has a new girlfriend, she is determined to learn new tricks to gain him back. Based on the novel written by Luo Fuman, Everyone Loves Tender Women.

Dong-seok, the husband who drinks everyday and comes home late. While Sang-hee waits for Dong-seok, she is being comforted by the main character of the movie, Min-gi. Meanwhile, Dong-seok feels sorry for his wife and talked to Yeong-cheol about his troubles. After seeing a video only meant for the couple, and hearing Dong-seok's troubles, Yeong-cheol told his wife, Mi-yeon, that it was nothing. The wife's nervous behavior continues. Dong-seok sneaks through his wife's car. He found a business card and heads there. There, he meets Ha-ni, the female character in the video and experiences a strange sensation. Mi-yeon continues to revolve around Sang-hee and Dong-seok. The couple continues to fall in a confusing situation... Louis, the man who knows everything and the one who controls the couple... Sang-hee and Dong-seok have an experience of changing their daily lives.

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

A prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to "cure" homosexual men by having nude women dance for them. This is only some of the horrors that are going on there.

Inspector Bérurier, having inherited a mansion three years earlier, comes to collect rent from the tenant when the latter is murdered under mysterious circumstances. Béru calls Commissaire San Antonio to the rescue, and the two men discover that Laurenzi's hotel is home to a "brothel" whose director, Madame Albertine, soon reveals to the two policemen that Laurenzi was having an ongoing relationship with Helga, one of the boarders, and Mr. Max, a regular guest of the house.

A playboy is pursued by three women seeking romance.

The Panther women are worshipers of Satan and perform rituals in their honor and sacrifice. The fighters will face them up and down the ring.

A professor recruits a professional wrestler to protect his daughter from vampires intent on kidnapping her and marrying her to the devil.

THREE SLAVE WOMEN is comprised of three stories of three women, who share the same slave master. Starring the sexy up-and-coming starlet ASAMI, this film includes some of the best shibari, kinbaku and slave-master scenes ever produced in Japan. All three are in love with Kajiwara, a dominant bondage master who punishes them in intricate and graphic ways. Their separate stories cross paths at a surprising culmination of eroticism, lust and S&M play.

Women workers stand up to the toxic flower industry in Colombia.

A rich and little-known part of Canadian history unfolds through the stories of the first Chinese women to come to Canada and of subsequent generations of Chinese Canadian women. It is an amazing tale of courageous women who left behind their families, knowing they would never see them again and of girls who were shipped off to the New World to marry men they had never met. These are the women who fought against the many forms of racism they faced in Canada while, at the same time, challenging sexism within their own communities. By passing on language, culture, and values to their children, these women defined what it means to be Chinese Canadian. Beautiful old photographs from family albums, the recollections of seven women who grew up in Canada in the first half of the 20th century, and the memories of narrator and director, Dora Nipp, whose grandfather came to Canada in 1881 to build the railway, create a remarkable story of stunning impact.

Ke Yourong fell in love with Wan Hongzhi when they attended university together, but he liked her friend, Yi Xue. Putting her feelings for him in check, Yourong decided to set up Hongzhi with Yi Xue and resigned herself to just being best friends with Hongzhi. Years later, even after Hongzhi and Yi Xue broke up, Yourong has maintained the firm line of friendship with Hongzhi. Yourong now works as a business development manager for an online mall and is oblivious to the fact that Hongzhi has long begun to see her as more than a friend. When Hongzhi sees Fu Baifeng, a second-generation chaebol businessman, also vie for Yourong’s attention, will he find the courage to express his true feelings?

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

Recovering from a breakup, rock-singer Kate (Jo-Ann Barton) falls in love with her computer teacher Bonnie (Mary De Michele). Kate goes through a maze of emotional highs and lows, and throughout it all, Kate's manager, Marty (Deana Demko), drives everyone crazy protecting her. To add to the turmoil, Marty constantly battles with Kate's roomate David (Lou Pennacchio). Follow Kat and Bonnie's most intimate thoughts through the pages of the diaries. Strong musical performances wrapped in a compelling drama where a misunderstanding results in tragedy.

Exploring the extraordinary contributions of women filmmakers from Africa and the diaspora, Beti Ellerson’s engaging debut intersperses interviews with such acclaimed women directors as Safi Faye, Sarah Maldoror, Anne Mungai, Fanta Régina Nacro and Ngozi Onwurah with footage from their seminal work. With power and nuance, Ellerson also confronts the thorny question of cultural authenticity by revisiting the legendary 1991 FESPACO (Pan-African Festival of Cinema and Television of Ouagadougou), in which diasporian women were asked to leave a meeting intended for African woman only. This film is both a valuable anthology and a fitting homage to the pioneers and new talents of African cinema.