Women In The Vatican Streaming Avec Sous Titres En Français

An eros work that depicts behind the scenes of the sex industry in a pink salon only for widow. Setsuko, whose husband died six months ago, works at a pink salon while raising her elementary school son, Kazuo. There is also a widow salon, where there are veteran Fumiko, widow Sayuri, and Fujiko who is not close to each other. One day, when the teacher visited Setsuko's house on a home visit of Kazuo, a customer named Shuji came to her shop..

Bae Ponggi, a Korean woman who became a comfort woman for the former Japanese military in 1944, testifies for the first time in Okinawa in 1975, after Okinawa was returned to the mainland. In the "red-tiled house" on Tokashiki Island, Okinawa, which was turned into a comfort station, she talks about her life and relationships, her situation after being left behind on the Korean Peninsula and unable to return to it after the war, and what happened afterwards.

In this film, Liu Hua, a female petitioner and survivor of Masanjia Women’s Labor Camp, describes the torture she and other women suffered there.

The third episode of Patrick Tam’s anthology series “Seven Women” (1976), with three short stories combined.

53th entry in the 'Sealed Video' franchise from the production team of 'Honto ni Atta. Noroi no Video'.

The story of three Salvadorian women who saw their fundamental rights violated when they were accused of a crime of abortion and finally, imprisoned for aggravated homicide, when in out-of-hospital deliveries they lost their babies.

In Mali, women's funeral rite takes place in the village of Bongo, in Dogon country.

The painter Raafat loves Amal, who is absent from her appointment as a result of her injury in an accident, and he tries to forget her with his love for Soraya until he meets again with Amal, who repels him due to her despair of recovery, but he does not leave her.

After the Islamic revolution of 1978 in Iran and the transformation of the political structure of the country, new censorship codes were introduced which were mostly aiming at the elimination of women and to push them to the background. However, the new restrictions didn't stop women from making films. In her autobiographical film essay, Afshar as a filmmaker in exile takes us into her garden shed and narrates one century of resistance of the Iranian women filmmakers who gave life to the sublime, lustrous art form of cinema.

Recording of two women picking up olives in a park in Palma (Mallorca).

Plot is about a man who’s been in his apartment ever since his wife left him. Evening after evening he’s getting drunk and calls a hot line girl called Kiki... Srdjan Dragojevic's student film.

On a sunny spring day, three women all going by the name Svetlana, wait at a train station somewhere in Southern Serbia.

Located in Yongning Township, Ninglang County, Lijiang Prefecture, Yunnan Province, the Mosuo are the only matrilineal society in China, where men do not marry, women do not marry, and people live with their mothers all their lives, without the marriage and family of mainstream society. The Mosuo people emphasize women over men, and there is no question of "men oppressing women" or "women oppressing men"; women and men are relaxed and at ease with their gender and sexuality, which is a rarity on earth....

Three popular sexy actresses star in the "Beautiful Three Women" version of this sexy horror film. Included are "Evil Spirit," in which a reporter visiting a haunted place alone is attacked by something mysterious, "Fate," which depicts what happens to a woman who visits a hot spring to heal from sexual harassment, and three other episodes.

Documentary by Occitane Lacurie.

Mosuo, located in South-West China, is the only Matrilineal society in China. The first record of Mosuo culture dates back more than two thousand years. Today, this tribe still retains their unique culture, in which people live with their mothers' families and never marry. Concepts such as 'father', 'husband' and 'wife' have no meaning in Mosuo culture. Men and women may sleep together at night, but during the day they return to their own families. Mosuo culture is one in which men and women live harmoniously, and where there is no difference in status between the genders. Director Chou Wah Shan is a former associate professor at Hong Kong University, whose area of interest is gender and sexuality. He spent more than a year with the Mosuo people, and the result is an intimate portrait of this fascinating tribe.

Cumann na mBan- Mná na Réabhlóide is a docudrama charting the complex evolution of the organisation from its inception in 1914 to the years of its decline in Post Civil War Ireland. It comprises of considered historical analysis, personal stories from relatives of those who served in its ranks and dramatic reconstructions of key events in the organisation's history. The documentary highlights the largely unrecognised contribution of the women of Cumann na mBan to the struggle for self-determination and further our understanding of their motives, their achievements and their sacrifices.

In his film, Lothar Lambert has chosen to portray eleven women over forty in Berlin, interweaving accounts of their experiences, their current lives and their expectations for the future. The line-up includes a number of well-known Berliners such as Irene Schweitzer, who runs the shop “Kaufhaus Schrill” in Bleibtreustrasse, photographer Erika Rabau and painter Evelyn Sommerhoff. The women talk about their chaotic family backgrounds, dramatic twists and turns, courageous decisions, failed relationships, breakdowns and new beginnings, as well as the art of gritting your teeth in spite of all of life’s blows. In no uncertain terms the women tell the filmmaker how they came to be the people they are; they also chat unabashedly about their sexual antics and reflect en passant on the social climate in Germany.

In the heart of Nepal, four women defy odds and challenge societal norms in their pursuit of empowerment and fulfillment. Radha, driven by a passion for acting, faces the harsh realities of domestic servitude after a childhood marriage, sacrificing her dreams for survival. Maya's quest for a better life leads her to Kuwait, where she becomes ensnared in the horrors of human trafficking but ultimately escapes to rebuild her life through entrepreneurship back home. Sundari, despite being a specially- abled dwarf, rises as a priestess in a male-dominated role, overcoming discrimination with unwavering resilience and devotion. Sukun, discriminated against for her low caste, perseveres amidst Nepal's majestic mountains, crafting handmade products to support her family and defy societal constraints. Each woman's story exemplifies the power of determination, resilience, and the refusal to be defined by circumstance, inspiring women everywhere to pursue their dreams against all odds.

film directed by Tai Katô