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The idea of the film is a narrative about Dostoevsky through the fate of the women who surrounded him. The story will focus on the seven years of Dostoevsky's life after hard labor. The film is based on the writer's correspondence with his brother and with his second wife Anna Grigoryevna Snitkina, as well as scientific monographs.
A sexless couple Eun-sook and Won-gil. Newlyweds Jong-beom and Na-jeong graduated from physical education. Jong-beom happens to be Eun-sook's personal health trainer and sex partner while working as a courier. Jong-beom introduces her wife Na-jeong as Won-gil's personal health trainer, and Won-gil receives sexual stimulation through Na-jeong. The two couples, who have been sleeping for a while, are boiling over and plan to have sex with each other...
The detective Nadezhda Postnikova appeared, as in a sight of a sniper rifle, in the crosshairs of all vital problems at once. It all started with the fact that her friend, businessman Miroslavsky left the city on urgent business, not answering the main question of their relationship — whether they be together.
30 years after their first international match, 'Rugbaí na mBan - Ag Briseadh Tríd' ('Women's Rugby - Breaking Through') tells the remarkable story of the journey of the Ireland Women's Rugby, fighting for opportunity, success, recognition, and to inspire the next generation to take up the game and compete.
Ji-young is a writer and has no time for house chores. Two women offer to clean her house when it turns into a mess. One is her mother, and the other is a lonely ghost named Mu-myoung who has been dwelling in Ji-young's home for a long time. Ji-young decides to write a story about these two women.
A reclusive millionaire puts an ad in the paper looking for seven "seductive and audacious women". Lured by the ad a horde of women descend on a golf course estate in rural Spain where they're whittled down to seven by a variety of bizarre contests.
The wealthy Mounir takes care of an orphan girl and entrusts her upbringing to a naive woman in the countryside. The girl grows up and becomes a beautiful young woman whom Mounir loves, but she falls in love with a young man her own age, and begins to teach Mounir lessons in life.
Each day of the week is represented by a ballerina beginning with a young child and ending with an older ballet teacher.
"Women and Black Dudes" is the first Comedy Central one-hour stand-up special from comedian Neal Brennan. He delivers bold material that dives deep into issues of race and gender. Brennan brings real talk about women, black dudes, and more.
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
Nagisa, the heroine, has the ability to “synch” with all the powerful emotions that linger in crime scenes. When this happens though, she blacks out. Even in her day-to-day life, she can hear people's evil intentions and true colors and senses their lies and deception. That is why she always wears headphones in order to shut out people's emotions. She works well with her colleagues at the "Red Spider Lily" (Higanbana) unit, who are all brutally honest acid-tongued women with no qualms about speaking their minds. "Red Spider Lily" is an eclectic unit that includes a science geek, a single mom, and a woman who grew up abroad. Seen by many as a department that's been taken off the main career track, "Red Spider Lily" turns out to be full of fabulous detectives!
The first episode of Patrick Tam’s anthology series “Seven Women” (1976)
Karima hates her big nose that makes men reluctant to marry her. She meets Hussein who hates beautiful women after his beautiful wife cheated on him, so he decides to marry an ugly woman. As they marry, Karima lives happily with her husband and wants to get a nose job.
A unique action-packed drama that tells the story of a Yakuza man who craves blood like crazy, unaware that he has fallen into a trap set by his younger brother.
A mother, daughter and two of their friends live in an old Western-style house in Suginami. As secrets are revealed, they face challenges together.
Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.
1965, Chihuahua Mexico. A group of women struggle to change a country, teaching love to a cause and those who embody it.