Woman With A Suitcase Streaming Avec Sous Titres En Français

A woman loses consciousness on the roadside of a certain mountain pass. When she wakes up, she is sleeping in a room at the pension. But she doesn't know who she is. According to her caretakers, Tetta and Rui, she is Rin Komiya, who is planning to stay there. That night, Rin is lured by the moans that can be heard and ends up spying on the manager and his wife having sex. She can't help but put her hand between her legs and masturbate...

Yuko lost her husband in an accident. On that day, her sister-in-law Masako, who had come from her hometown, and they held a memorial service for her husband on the 49th day. Yuko, who broke up with her girlfriend Masako and was left alone, happened to meet her friend Yumiko from her school days on the street. The two had previously had a lesbian relationship...

Gensaku Katori, a managing director at a certain bank, relentlessly criticizes the naked body of his secretary and mistress, Ayako Kimura. Young Ayako's body responds to the technique of this master, entrusting her limbs to her abnormal pleasure, arousing her greedy desire, and unfolding her shameful state. Ayako continues her current mistress relationship as Gensaku is divorcing his wife, Nenko, but she is frustrated that things are not progressing very well.

The Songs of Red Tresses: Woman, life, freedom. The woman brought wheat from the field and was the master of finding opportunities in life.

One minute short film realized by Frank Ternier around the movie “A Man and a Woman” by Claude Lelouch.

The Land Without Evil is the mythology that guides the Guaraní communities. It narrates the search for a lost paradise. From the moment that Europeans crossed the Atlantic, it became the anima of a resistance discourse. How many different weapons does it take for a fight? The solo exhibition of Patrícia Ferreira Pará Yxapy, one of the most engaged women among Brazil’s Indigenous filmmakers combines new works and the archive behind her audiovisual journey over the past 15 years, always in close collaboration with the Mbyá-Guarani Cinema Collective. It presents Indigenous cinematic practice as a tool of resistance and healing showcasing intimate and painful thoughts on the feminine, on spirituality, colonization, and the relationship to land.

"Her accent is the only thing we know about her. Her reputation has been made by transforming complex situations into simple objects. She revolve around consortiums, hubs and other fluctuating mega-structures. We own her some essential directions taken by our society during the last years. A daily basis that mean the thing should be resolved in the current day." "Every woman should have the tools to take control of her life" was shot in the old headquarters of IBM Europe in Brussels, which has since become a wellness hotel for executives located in the Sonian Forest, recognised as a UNESCO World Heritage Site. The film was made in the conditions of a team-building because no authorization has been clearly given to film in the hotel. The situation revolves around a video message from European Commissioner Neelie Kroes (link) about women in the IT (Creative Commons).

"An attempt to make a portrait of my wife." (HHK)

A female yakuza romantic historical action drama in which a kunoichi who escapes from an organization dances with action.

Kudo receives a video shot by a job-hopper named Sakurai. The video shows a beautiful woman who visits the side of a river in the countryside. Sakurai has fallen in love with her and visits her home, but it's there he witnesses a terrifying scene.

A short documentary on gender parity in politics. In a few minutes, alternating interviews with French personalities and theorists (Geneviève Fraisse, Françoise Gaspard, Laurence Parisot) and archive footage, this film mischievously tackles gender disparities in French politics. It was produced for the Canadian international program The 5 Minutes Project.

Korean movie.

Michiko, an ordinary housewife, hears about the "Kuroki Health Dojo" from Yuki, a housewife who is close to her...

Takeko was an ordinary married woman whose daily routine was to keep a diary. Takeko falls into a delusion due to her diary and begins to desire the body of a barbaric man...

The life and work of Zezé Motta.

Aida Sakura, with her innocent looks and fragile aura, plays a married woman who is troubled by her sex life. It is erotic to see the wife release her twisted sexual desires between fantasy and reality. Ryoichi, a husband, is worried about his wife Miyu, who has been feeling a bit absent-minded lately. Miyu has a constitution that makes her hard to get wet, which is bothering him about their sex life with her husband. One day, on her way home from shopping, Miyu witnesses a man and woman entangled in the shadows. She masturbates while thinking about the scene. The next day, she goes to the same place...

"I did the takes for this film in the fall of 1966 and in the summer of 1967. I came to know and love the 'old woman' who gave her 'face' in one of the city-run dining halls in Zurich to the first part of the film. I was looking for poets for the film 'Robert Walser' and was hoping to find one in one of the places Robert Walser used to go to decades before, but it proved to be a complete failure. The woman who gave her 'face' attracted my attention because she bad something radiant about her and, despite her advanced age, still had a roguish way of looking at the world. She must have seen me several times before during test takes, because she told me later that she had seen me getting thrown out ('Filming not permitted') and that this had happened at another city-run dining hall. Because the woman appealed to me so much, I asked her on the spur of the moment if she would be willing to let herself be filmed, even though I did not actually know what I wanted to film." (HHK)

Unexpected excitement charging romance between Ji-hwan, a big build former gang member who has cleared his dark past, and Eun-ha a mini woman who plays with children for her job.