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The unpredictable destiny of a woman abandoned by the man she loves. Who could have predicted that the simple address of a private detective agency, found by chance in the yellow pages of the directory, would throw her into a strange adventure and lead her to another existence?
Two trans women share moments of love, insult, and masochism, exchanging both kiki and kai kai languages. Their syncopated exchanges oscillate from hateful to loving, blurring the distinction between lover and enemy - a position that both women seem to share.
A short drama
King Kong appears in various collages of a white cruise ship; meanwhile, a victory has been won and photographed in France in November 1918, and someone in a cartoon has stolen the Eiffel Tower, which now stands over an abyss in the American West.
Documentary film about the life of a transgender woman, current political situation in Slovakia and the power of hatred.
A young woman goes on an anonymous journey to her late husband's hometown Leshan, a small city in Sichuan province. There, she meets an old friend, a local theatre actress preparing for an adaptation of Bertolt Brecht's The Good Person of Szechwan (Sichuan). In a home-place unfamiliar, the traveling woman meets the imaginary. Ghosted by Shen Te the protagonist of the play, the actress loses the self at the intersection between fiction and reality. Unprepared, the filmmaker loses control of her camera. Together, they drift into a polyrhythmic experience of stasis.
A Note from The Doors' Ray Manzarek: This is the tour that never was. The tour that was supposed to happen when Jim came back from Paris. The tour that we were all eagerly anticipating. In May or June of 1971, Jim called John from Europe and asked him how LA Woman was doing. John told him it was doing great and that the critics actually loved it, too. Jim was excited and wanted to go on the road as soon as he got back to the States. The two of them even talked about taking the bass player - Jerry Sheff - on the road with the four original Doors to duplicate the sound of the LP.
Sawaki, who used to be a socially active reportage writer, is now unemployed. The job that came to Sawaki was that of a telekura report. Now that his wife Naomi is pregnant, he has no choice but to take on any job. The editor-in-chief asks for a report that targets the naked private life of a married woman. At first, Sawaki was bewildered by the unknown world, but...
"A woman must forgive everything"- Brunhilde's parents expects her to marry Mr. Kuhn. To avoid this Brunhilde makes plans with her lover and piano teacher. She will wear the ugliest possible dress and sing horribly when she meets with Kuhn.
An Ishiro Honda film.
Documentary on pioneer Japanese feminist Hiratsuka Raicho
Gina is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.
A day of the rice-planting. Preciousness of the labor to make one's food with oneself. Water of the ground (rice field), water of the sky (rain), the water of the person(sweat and tears), beauty of those water. This is a short movie about the current situation where these waters are contaminated by radiation from the Fukushima nuclear accident in 2011. And it is the work which found hope to people planting rice with lovers.
A young woman gets up one day and decides to take the law into her hands.
