Woman With A Suitcase Streaming Avec Sous Titres En Français

Ghosts and premonitions; a married woman discovers the true love of her life while being plagued with supernatural phenomena relating to her imminent murder. It's a comedy.

In this documentary, we witness the manifold presence of woman as mother, lover, worker and symbol in the works of the artist, and follow the development of her role during the career of the artist.

One day, a boy who separated from his mother’s hand is deprived of his fingers. His fingers become a larva and part from his hand. The house. . . conceal[s] a relationship between the two from anyone. How does the boy who is deprived of his fingers grow up?

Since 1980, Lucille Côté has lived in Laterrière, surrounded by more than 250 animals. With a silver mane and candid demeanor, Lucille practices a craft that has long been the exclusive domain of men: Taxidermy. Through various contemplative and country-flavoured tableaux, we meet a particular breed of taxidermist, living outside of the digital age, with enough skills to get by in the woods without a compass or a frying pan.

Bunta Sugawara replaces Koji Tsuruta as the leading man for this sequel of Okoma, the Orphan Gambler.

Ang Babae sa Likod ng Mambabatok unravels the multiple layers of the almost mythological figure-living legend, Fang Od, a 92 year old woman who has been called the ‘Last [Traditional] Tattoo Artist of Kalinga.’ The first layer of the story is the one she is most famous for-being a tattoo artist. At her eyes, she continues to exhibit sharpness and precision in the very demanding art and skill of tattooing. The second layer shows her many stories as woman who has reached the age of looking back. She regales us with stories of her many suitors, of her youth, the dancing and the feasts. She also looks back with not just a tinge of regret that she never married nor had children of her own. Her body covered in tattoos is a landscape on its own mirroring the map of a woman who has chosen wittingly or unwittingly a road diverging from convention and in the process became a culture-bearer.

Zad is a revolutionist who is trying to free his country, but most of his plans went wrong. He has been looking for a woman for more than three years believing that she holds many secrets within herself that are capable of saving him, the entire world and maybe earth! Now he's on a mission to convince her to go with him in order to rebuild what he has destroyed, he believes that she has changed a lot while she believes she has never met him! Will Zad succeed in convincing her and eventually saves the humanity and the planet? (When Time Becomes a Woman) is a film that takes you into a journey of self-discovery. It takes place in one location with two characters only. Could this 70-minute meeting change both of their lives and fate? Could they take decisions that they long feared to take? This first Sci-Fi Arabic film aims to portray human stories within nothing but dialogue and emotions.

Gul disguises herself as a young man to travel around Xinjiang and experience life.

Inspired by an Inuit poem first assigned to paper in 1927, this animated short evokes the beauty and power of nature, as well as the bond between mother and daughter. As her daughter looks on, an Inuit woman creates a wall hanging filled with images of the spectacular Arctic landscape and traditional Inuit objects and iconography. Soon the boundaries between art and reality begin to dissolve.

Jung Kyung-hwa started teaching at the age of 18 and she begins a new career as a journalist in Youngnam Daily. When her first article appeared on the newspaper, she felt happy. But she was enraged when her exclusive story about the corruption of an orphanage got ignored. In the meantime, she met another journalist, Kim and managed a life of a wife and a journalist through the times of the student revolution in 1960 and the military coup in the following year. She did catch the exclusive interview with President Pak Jung-hi and contributed to enhance the Youngnam Daily's name.

A twice-remade ironic comedy about a writer's encounter with a female thief.

A brigand in love feels that he can no longer live without the presence of the beautiful Tagaky, whom he has taken back to her father and her happy fiancé after having kidnapped her at the request of a samurai. Desperate, he commits harakiri with a large sword in memory of the loved one.

A comedic comic play about marriage and wives in a comic framework

Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.