Woman With A Suitcase Streaming Avec Sous Titres En Français

A classic dramatic piece on poverty and prostitution is transformed into a poignant take on failed celluloid dreams. A son of a late actor notorious for womanizing in his heyday aspires to be a big star someday but can't get past beyond being a stuntman. His meager income hardly suffices to support his family driving the wife to resort to selling her body.

This gripping documentary investigates the disappearance of young women from assembly plants that line the Mexican-American border.

Part of Vale do Ave historical context, Woman of my people takes us on a journey through the textile factories and their stories. Conceição, the director's grandmother, tells her personal story, reflecting on the role of women in the factory in the social context of Vila das Aves in the sixties.

Hong Kong movie

A hacienda seem to be haunted by La Llondra, the crying woman.

This is the second movie featuring Darna, but now she is facing another villainess, Ang Babaeng Lawin, played by Elvira Reyes.

The last year of Vladimir Mayakovsky's life, the last love. This year, the actress Veronica Polonskaya was by the great poet's side, so the suicide happened literally before her eyes. A unique testimony and a unique love story.

The mistress of Cunégonde is going out so Cunégonde puts on her mistress' clothes. When she goes out into the street, she encounters an instantly enamoured gentleman who takes her to his house. However, when the man is about to declare his love the actual owner of the house barges in. Cunegonde's gentleman turns out to be just a regular servant and Cunégonde walks away annoyed. When Cunégonde meets the servant the next day she is still mad at him and quarrels with him. At the police station he declares his love for her in spite of her being a maid. They happily fall into each other's arms.

The core of this most personal of the Thorndikes’ projects are Annelie’s diary entries: Her story is to be the starting point for a kind of all-German ‘Heimatfilm’ that praises the utopian power of the GDR and sharply condemns Federal German wrongs, but finds transcendent beauty on both sides of the wall. Over the course of production, however, the visionary dimension of the project was progressively trimmed down, though it’s still tangible everywhere in the compromised final version: The intensity of its pathos is both oppressive and enchanting; some historical simplifications and ideological twists and bends may be hair-raising, but they still achieve the desired effect.

The misadventures of a singer accused of murder are remembered by different people.

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.

Drama set in the nineteenth century in Sorrento in southern Italy. It is an adaptation of the 1852 novel of the same title by Francesco Mastriani. A young woman named Beatrice loses her sight after witnessing the death of her mother. Unable to see Beatrice is unable to identify her mothers’ killer. The police arrest a man who they believe is the murderer. Did they get the right man or is the killer still lurking in the shadows? Years later a family friend introduces Beatrice to a renowned Doctor who specializes in restoring sight. Will Beatrice regain her sight and identify her mothers’ killer or will someone make sure that she never sees again?

A lieutenant of the French navy, ready to kill himself in despair, renounced his project after spending a night with a beautiful stranger. He ends up finding her, the heiress princess Lystrie. The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film.

Minji, who lost her sister resin to a gangster, plunged into the evil lair, but fell into the traps of Dalho's party and became a prostitute. It is a place where inhuman exploitation and demolition are taking place and various miserable events follow. Min - ji 's lover, Jun - yeop, found her at a nightlife and entertainment complex, but she was stopped by the violence of the Dalho - dang party. Minji, full of hatred, seduces and kills Dalho. Afterwards, he escapes the pimp house with the new dragon. Finally, Jun - yeop clears the pimp with the police. There is Jun-yeop in the side of Min-ji who gives a mass along with the longevity of her sister in a long time.

Kihnu is a small island in the Gulf of Riga. Soosaar looks at the islanders from the point of view of an explorer, just like his filmmaking hero Robert Flaherty once did. Their traditional lifestyle unfolds in front of his camera: customary songs and rituals, and heartfelt images of people’s daily lives.

While transporting a bride-to-be in a closed carriage (kago) while during a thunderstorm, a group of servants and onlookers suddenly come upon an apparition of a ghostly white-draped female figure floating down to the ground. As she turns to face the crowd, the woman reveals the disfigured right side of her face. As the procession stands in utter horror, the ghost then takes flight again and down a side street. After the shock wears off, the bride is checked on and everyone is safe in the group. Once the wedding party finally arrives at the groom's home, they apologize for the delay... and proceed to open the kago, only to realize that the bride-to-be is now missing... and all that's left in the carriage is a single white snake slithering about.

Told that he is to take charge of his grandson, a misogynistic old nobleman is taken aback when he discovers that "he" is actually a "she." At first rejecting the girl, the old coot finally comes to love and accept her.

Short film about Hachishaku-sama legend.

After an interview whose theme is Senegalese immigrants in France, a piece by Sarah Maldoror appears. This is about the role of African women in social organization, founded on ideals of community solidarity.