With Woman Streaming Avec Sous Titres En Français

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

A love story between Snow Women sisters and a male high school student.

Normandy, 1819. Jeanne is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. She marries a local Viscount, Julien de Lamare, who soon reveals himself to be a miserly and unfaithful man. Little by little Jeanne’s illusions are stripped away.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Ana, a nursing assistant, begins to feel attracted to Agustín, the husband of the woman in a vegetative state that she has been hired to take care of. Soon she begins to be harassed by strange paranormal phenomena that seem to try to throw her out of the house and separate her from Agustín.

Following on the heels of "Stalker," this title continues the same theme, focusing on a young woman, Suzu, infatuated with her older sister's husband, Takeshi. As a neuro-psychiatrist, Takeshi has the expertise to diagnose her mental instability, but trying to care for her may only draw him further into her clutches. Looking into the mysteries of her childhood may be his only hope of curing her obsessive behavior before Suzu's violent tendencies threaten those around her.

The amazing life story of "Iron Woman" Neslican Tay.

A woman bought with 20 million debts. A woman who married to a farmer in the form of debt, what is the crime and punishment she made? A truly ephemeral drama leads, the ending of the shock -.

A photograph is a window into the past, but sometimes the border between the past and the present is not entirely clear.

Sachiko Suzuki is a female high school student. She claims that she is an alien and her mission on Earth is to conceive a child with a human man. Sachicko seduces her class teacher Mr. Fukuda. After their intimate encounter, Mr. Fukuda becomes becomes convinced that Sachiko is not a human. Meanwhile, female student Kobato Hagimoto knows that Mr. Murata has a crush on some male students. Because of this, Mr. Murata is treated as a pig by Kobata until he can't bear the situation anymore.

A portrait of Carole Roussopoulos (1945 - 2009), who pioneered light video in France. Through extracts from her films, archival images, and interviews, the itinerary of a fighter who filmed the Women’s Liberation Movement, factory occupations, and early gay rights demands, and who, throughout her life, gave voice to the unknown—to the “voiceless”—participants in social struggles and movements for emancipation.

Simone Veil's life story through the pivotal events of Twentieth Century. Her childhood, her political battles, her tragedies. An intimate and epic portrait of an extraordinary woman who eminently challenged and transformed her era defending a humanist message still keenly relevant today.

A doctor conducts experiments on patients which end up in anguish!

Jane Seymour makes a six-course meal of her starring role as a magazine editor in Obsessed With a Married Woman--indeed, her performance is the only tangible reason for sitting through this artistically bankrupt TV movie. The story contrives to have Seymour, happily married and the mother of a wise-lipped son, fall into the sack with her star reporter Tim Matheson. It seems that Jane has assigned Matheson to do a series of articles on mistresses. He does his homework so well that Jane takes him on as her own "male mistress."

Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.

Pupetta’s plot. Courage and Passion (2012). In the summer of 1955, a few months after being married to Assunta, known as Pupetta, the boss Pasquale Simonetti was killed by the hitman Gaetano Orlando, on the orders of Antonio Esposito. Despite being pregnant in the sixth month, Pupetta Maresca will not hesitate to avenge the killing of Pasquale by killing Orlando in turn, after having approached him on the street. Naples, Second World War. Pupetta is a rebellious and charming girl who does not bow to the criminal logic of the Camorra. Witness to a murder, the girl tries to tell the truth, opposing the overwhelming power of the neighborhood boss Don Luigi Vitiello, whose marriage request she refuses in favor of love for Michele. Together with the latter he will share a personal war against the abuses of Vitiello, which he desires Donna Pupetta and the direction of the General Markets led by Michele himself.

Jae-won, a competent husband at a stable workplace is enjoying his honeymoon with his wife. One day, he found a strange video through a USB. It contains his wife’s sex video, not with a man but with another woman. After seeing this, Jae-won suspects Ji-soo’s past life and invites Joo-hee, the other woman in the video to come over the weekend and find out the truth.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.