With No Apology

Does Christianity really add up? In a series of five intriguing taxi journeys, J. John asks his friend and colleague, Joe Boot, how to answer life's hardest questions. "With No Apology" is ideal to watch in groups or on your own. It raises tough issues, and provides the tools to help you develop your own response.

Rafael Müller is an acclaimed conductor; Rafael Jiménez is an old rock glory who refuses to hang his ax. Both will fight to continue fitting in a fast and young world that insists on taking them out of the game.

Erkin, who works as a watchman at the lighthouse, is a lonely man in his mid-thirties. Erkin, crushed under his credit debts, one day receives the news of his grandfather's death. A big surprise awaits Erkin, who immediately goes to his grandfather, who is staying in the nursing home. He asks his grandfather Erkin to apologize to his brother Koray and ex-fiancee Merve, whose heart he broke years ago. Having to fulfill his grandfather's wish in order to get rid of his loan debts, Erkin finds himself in a great adventure in this process.

Rafa, a young trans and gay man, has already resigned himself to the fact that he will never find another boy who accepts him, until he meets Henrique.

The dramatization of Socrates' trial for spoiling the Athenian youth which resulted in his death sentence.

Ryoro Kurojima (Sadao Abe) is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

Victoria turns 23 today. She can no longer stand the distance that exists between her and the rest of the people. She has found the solution that will remove her from soul-destroying human interactions. Today is the big day. Everything looks the same, she has not doubted her decision. Is a chance encounter enough to bring her closer to humanity? Change everything? The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

As a family of siblings and their spouses gathers at their father's deathbed, old jealousies and new angers and liaisons lead to an inevitable climax.

The director explains the concept and shooting method used in the film “Direct Light”.

The picture consists of two parts, the characters of which are busy commenting on what is happening to them and in the whole world. In the first part ("A Babysitter for a Boy"), the author plays with a literary character and a plot. In the second part ("Commentator for the Poet") The author plays with a fictional Poet (in turn, also with the author), who is portrayed by the Author-commentator. However, this Author is not the last in the hierarchy of similar characters.

An experimental documentary film that delves into the intricate facets of the issue of human dignity humiliation in Russia. The directors provide audiences with an unconventional perspective on situations where individuals are compelled to issue on-camera apologies for their words or actions. Through this experimental narrative approach, viewers will witness how it has become commonplace in modern Russia to extract apologies on camera. Some instances will evoke genuine sympathy as people grapple with public scrutiny. Simultaneously, other scenes will unveil the darker side of this trend, where apologies devolve into mere puppetry, extracted under the threat of personal and professional repercussions. The film incorporates a range of videos capturing moments of sincere apologies driven by a genuine acknowledgment of one's mistakes.

After her husband dies in an accident and she takes care of her children alone, Raja reluctantly agrees to marry Mounir, but she is exposed to many difficult situations that complicate her emotional and family life.

Khaled is a young man in his 20s who finds himself confronted by his family because of his actions, turning his life upside down.