Wind In The T

This may be the last journey of Domagali, Amina and Hanne and their Toubou women's caravan in the Sahara. Each fall, armed with daggers, they leave the men behind and cross the desert to sell dates in Agadez to bring back the means to survive in the village for another year. This economic responsibility gives them a special position in their society. Yet, the increasing market pressure endangers their 'business'. How will their social status change

16mm film released in 1997.

In Marseilles, there are those who work in the port and the others. The myth of an impenetrable world and a protesting working class is nourished on both sides. Above and beyond this border, the film is a fantastic & dreamlike immersion at the heart of this slowly disappearing world.

Karin has lived alone in a secluded mountain village with her consumptive mother since her father died. Her worried grandfather advises her to send her mother to a sanatorium and be adopted by him, although she refuses to accept. On the Buddhist All Soul’s Day Festival in August, a messenger from her grandfather pays a sudden visit to her house.

Mara, a young speleologist, lives with her father Horacio, a rural veterinarian. Both emigrated to Italy from Argentina decades ago. Horacio makes one last trip, curing animals in the mountains, before dying. Mara, some time after her departure, meets Roy, a Dominican boy who arrives in town seeking asylum. They become friends. She helps him speak Italian and teaches him about the caves. Together, they take an excursion inside a cave. There Mara will meet her dead father and they will talk about what they never talked about before. Film about close ties, identity, uprooting and the force of nature.

Music video for the song Kaze Iro no Tonbo by Chie Hyou that was featured on NHK's Minna no Uta program.

The artificial medial noise of the / pandemic wind floods the network. / The human wants to dominate everything. / Nature reveals itself. / The nature within the human is reveal / Like a war between our natural and/or / artificial existence. / Is the pandemic wind that shakes us / natural or artificial? / All representation is artificial.

A portrait of the musician and composer Ralph Lundsten in a film about art, music and philosophy - a cosmic journey in Sweden in music and images.

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

Andrzej (Bartosz Opania), a popular film stunt is a happy husband and father. It appears that the specific work of Andrzej does not disturb his calm family life. So how should be explained the anxiety, which appears in the moment of Andrzej's another risky venture? The film was based on a story by Joanna Kocemba "Rainbow" and refers to the Decalogue First Commandment “You shall have no other gods before me” - as a part of film cycle produced within the project „Dekalog89+”. Leszek Korusiewiecz is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.

In 1984, Andrei Tarkovsky, under the influence of circumstances, was forced to stay in the West. In his homeland, the director's paintings were banned, but he said: Russian Russian artist, I believe, without any doubt, and I will always remain Russian." The authors of the film talk about the circumstances surrounding this decision, exploring the human drama of Tarkovsky, the director.

A depressed singer works on a song just as she's leaving her old band and starts losing her voice.

Could a son of a disappeared person face the protagonists of the internal armed conflict in Peru (1980-2000), who administered death? After almost 40 years of disappearance. Who could answer you about the fate of your family member? Is there any chance of finding the murderer of your family member? In those years: who was the enemy? What was it like, how much of an enemy was it? Was it possible to eliminate them? Finally, have we heard all the protagonists? To those, can we listen to them, should we, is it time or is it not time yet?

1970s legends Earth, Wind and Fire -- made up in part by the talented Maurice White, Philip Bailey and Verdine White -- serves up a heady mix of classic funk, soul and R&B with these crowd-pleasing performances at the famed Montreux Rock Festival in 1997 and 1998. Watch them rouse the audience and groove to the tune of "Imagination," "September," "Let's Groove," "Can't Hide Love," "Reasons," "After the Love Is Gone" and more.

Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.

Clarisse cheats on her husband with a vain insurance agent. Zamore, the cuckold (and a magician) wouldn't let his wife be stolen so easily. Poiret and Serrault play the rivals in this twisted love story. A poetic absurd fantasy.

This is one of the first incursions of post-independence Mozambican production into feature-length fiction films, and it revisits the last stage of Portuguese colonialism. In their everyday life, two boys and a girl handle the arrogance of the Portuguese settlers as best as they can, until violence goes from words to actions. The wind of change blows from the North.

A young man living alone in his attic, wishes to publish a book of his dreams. He records his dreams on a small tape recorder while he falls in and out of sleep. Then when he awakens, he writes of these dreams on paper. His dreams consist mainly of memories and recollections of his youth.