Win

This dreamvideo was filmed primarily in California during the months of June and August of 1984. Featuring the music of Windham Hill artists William Ackerman, Scott Cossu, Daniel Hecht, Michael Hedges, Bill Quist, Shadowfax, Ira Stein and George Winston.

This program has been hailed as a natural moment so perfectly described that it will never be forgotten. Scenes captured in Colorado, Utah, Nevada and California during the months of December 1984 and January 1985 accompanied by the music of 12 Windham Hill artists. Includes an original composition by Mark Isham created and scored for this video.

A filmmaker sits down at his computer and gets to work.

Part of BFI collection "They Stand Ready."

7 track live recording

From his apartment, where he lives a cheerless widower's life, overlooking Washington Park, Alan Dale sees a refined, but poverty-stricken old gentleman on one of the park benches. Calling his butler, he instructs him to go down and tell the old man he would like to see him. When the butler approaches the elderly man the old fellow is somewhat skeptical, but finally consents to go with him. Alan receives his guest cordially and tells him why he has requested him to come and invites him to dinner. During the meal the old man tells his life's story: how he married a young woman, and after the birth of a little daughter, she died. How his daughter had married a young fellow and gone to live in New York, and how he had lost his money. The last news he had received of her was of her death.

An old lady who has a memory problem cyclically remember memories of a time when she tried to make a shawl for her father who went to war and never returned.

It’s 1946, Rose Cornell, a resolute young woman, struggles with her faith while searching for answers after a series of painful events. She has been abandoned by her mother, her brother is addicted to illegal gambling, and a near tragic crash has taken away her favorite pastime of flying airplanes. As Rose reaches the point of turning her back on her faith, will an unlikely source lead her to the goodness of God? Will she find His love, faithfulness, and restoration? Follow Rose's journey to find an answer to the age old question, "God if you're in control, why do bad things happen?”

One Championship: Winter Warriors 2 pits Kairat The Kazakh Akhmetov vs. Danny The King Kingad fight in Singapore Indoor Stadium, Kallang, Singapore on Friday December 17, 2021.

In this story of kindness, friendship, and the fear of being left behind, a friendship takes flight as a mouse that wants to fly and an injured bird cross paths.

The first ever DVD release featuring classic archive material from Canada's most popular Rock band. I Like To Rock contains a full show the band played at London's Hammersmith Odeon during their 1981 tour of the UK. SETLIST: "Big City Girls" "Crash and Burn" "Tellin’ Me Lies" "Future Tense" "Ladies Man" "Caught in the Crossfire" "Sign of the Gypsy Queen" "Just Between You and Me" "Bad Boys" "One More Time" "21st Century Schizoid Man" "Roller" "I Like to Rock" "All Over Town" "Wanna Rock".

In a clearing amongst a forest of pines lives a reclusive old man who struggles to keep himself warm in an unrelenting winter, though help comes from an unexpected friend.

A travelogue exploring a trip into the Alps.

A Walt Disney cartoon anthology

Inspired by the final paragraph of Joyce’s story ‘The Dead’ – but in no sense a recreation of that paragraph, or even an interpretation of it – this film was shot at various times of day and in various climatic conditions in a graveyard in Maine. The shooting took two winters and the editing one spring. All superimposition was done in the camera. The blue quality of the middle passage was achieved by using ‘indoor’ film out of doors. During the editing, the film evolved from a more-or-less realistic evoking of a graveyard in winter, into something more abstract – the sort of thing that might be called ‘Fugue in Orange and Blue’. The film is very silent. —William Wees

On the day the prototypes for Trump’s border wall are introduced to the world, the news unsettles the students and teachers who work in the Humanities Wing at the University of Toronto Scarborough. A shaken business major takes photographs of the Humanities Wing to deal with her shock, while others in the building struggle to understand and endure, to create and resist. In the tradition of Chris Marker’s La Jetée, Humanity’s Wing utilizes the business major’s photographs to develop snapshots of these diverse stories in this lyric, immersive, and urgent meditation on the ways in which what we build shapes who we are—and how the rise of divisiveness, destruction, and hate is countered by the need to create, connect, and love.

A girl dreams about her paintings of another girl coming to life.