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1950 Japanese film
The Author, i.e. J. R. R. Tolkien himself (played by Zinovij Gerdt), tells "his" story: the life of Bilbo Baggins, a quiet and enjoyable hobbit, is turned upside down when he decides to join the wizard Gandalf and a company of thirteen dwarves in an attempt to regain a treasure stolen from the latter. [Soviet television movie adaptation of "The Hobbit"]
Wild bees live solitary lives and coexist with one plant for which they are morphologically equipped. When humans introduce domesticated honeybees into this ecosystem, they threaten to displace the wild bees.
From mighty peaks, formed by powerful natural forces, to one of the last largely intact floodplain landscapes in central Europe; from vast, sunbaked plains that provide refuge for innumerable creatures have only recently returned to the ravines of the border regions – Austria’s national parks were created to protect some of the most diverse, captivating landscapes and fascinating species at the heart of the European continent.
Carmen was born in 1935. As a child, she watched how they took members of her family away. After 14 years as a cloistered nun, she managed to get expelled from it. She promised herself to own her life. Today, she is 86 years old, and she is going to make a decision: to commit suicide.
A story of a wife who searches for a deceased person instead of a husband who works the detective business.
At the request of her uncle, Tak-yi, who has been managing the Youth Center for several months, is an aspiring priest. Tak is constantly worried about the unidentified stray girl who wanders around him. I don't want to meet him, but I feel sorry for him after seeing him get hungry and sleep on the road. Tak decides to bring a girl into the house for a while to protect the girl who won't give her a room even in a shabby inn. The girl seems to have been neglected on the street from a very young age. Tak-ni names the girl Kkot-nim and does her best as a guardian, but Kkom-nim begins to know what to do with Tak-i in order to eat the meat dish.
The day-to-day life in quarantine is placed under the ‘loupe’ and the boundaries of private life are distorted, resulting in a cluster of uncomfortable, candid, or amusing situations, filmed mostly on a phone. An ode is paid to the house as the longest witness of the family, a reflection on the past, a place of fight and love, of fear and security.
A wild boar hunt, a taxidermist’s skill and the loyal reproduction of Etienne-Jules Marey’s chronophotographic gun, all these the premises for an intimate voyage. An interior voice questions images far off and close. It questions the confusion felt when faced with images. Those images “to part ways with “and those “to invent”. As if this invention could render a lost beauty. Not an exercise in nostalgia, but an unplanned incursion into a universe where all things untangle themselves.
