Who Was It The Conclusion Par

a junkyard, a man walking around a city being spied on, wildfires, a moving car's POV, the life of animals and people in a park, a man conducting against a backdrop of a city amidst destruction....but what could it all mean?

During the pandemic, someone shot a short film on a mobile phone—— it’s a love story about an airline stewardess who wanted to fall in love during the dynamic zero-COVID policy in Beijing, so she set out to reconnect with her ex-boyfriends.

It tells a legendary story about a bandit who is an official during the day and a thief at night.

A girl who is obsessed with color yellow meets a boy who is called Yellow. Their encounter grows into a game that soon becomes a hazardous amusement. The girl who loves yellow is a story about stories about falling in love.

A plan for an erotic actor to visit a fan!!! An opportunity to mix with an erotic actor that I had only seen on the screen came... !

Katsura Aya (Shiratori Yasuyo), a young and popular actress, is kidnapped. Igarashi (Honda Hirotaro), the president of the production company, calls Totsukawa (Mihashi Tatsuya) and Kamei (Aikawa Kinya) of the police. Totsukawa and Kamei learn that the kidnapper's name is Aoi Hebi (Blue Snake) and that Aoi Hebi is asking for one million yen for ransom.

Female writer Ho (Siqin Gaowa) has just published her new book and is busy with various promotional events. While immersing herself in her successful career, Ho squeezes some time to visit her 80-year-old mother on her way home. When she arrives at the doorstep, however, Ho discovers that her mother's eyesight has deteriorated to the point that she does not recognize her daughter, and the sense of guilt sets off to overwhelm Ho...

My name is HER Yoon-soo and Iminm 25 years old. Iminve somehow managed to graduate from a film school, and now my dream is to stand on my own two feet while making films. Yet in reality, I still flit from one part-time job to another, working at cafes and restaurants. I turn to some of the alumni from my film school in search of success stories. But the reality they face is far different from my expectations.

One day a mail with a stranger's name arrived. Come to think of it, something similar happened in the past. It was a letter to someone who lived in my house. He must have been a tenant like me, so he might be receiving a mail delivered incorrectly like me somewhere. By the time the mail piled up and the name became familiar, it occurred to me to write a letter to the person. To the person who shared the same space as me, the person who saw what I see, the person who was the owner of the trace I lived in.

The plot takes place in pre-war Yugoslavia, and the protagonist, interpreted by Zvonko Lepetic, is Jefto, a prison guard who lives with his family as a tenant in a basement. The plot shows how, convinced that he is destined for great things, he betrays his family, a friend and subordinates everything to his vanity.

All the children have two eyes, a nose, a mouth, two ears and ten fingers or not'? Allegra is going to discover that there are all kinds of children.

Golf works as a debt collector in Khon Kaen. One day he wakes up early to go to work as usual. He meets many people, including a desperate man in debt who falls critically ill. The situation forces Golf to weigh his professional duty and his moral sense against each other.

Matsuko, an assistant professor of history, discovers ancient human bones at Toribeyama, and her student, Suzuko, starts to approach her. As Suzuko shows an unusual fascination with the bones, the two eventually become romantically involved. However, Naomi, a fellow assistant professor who harbors a rivalry with Matsuko, hires a journalist to secretly photograph Matsuko’s bedroom…

The father is sitting up in a skylift, and he is telling a fairy tale to his daughter. Wherever he moves during the day, in power stations, in old cafes, he tells, and what he tells takes shape!

Academician Konovalov is one of the ten outstanding surgeons of the 20th century, who for many years headed the N. Burdenko Research Institute of Neurosurgery. The slightest careless movement of a neurosurgeon, imperceptible even under a microscope, can result in a loss of memory, speech, the ability to think or feel for the patient. That is why neurosurgery is recognized throughout the world as the most elite field of medicine, because the area of influence of a doctor is the most delicate, the human brain.

In 2020, the biggest protests against the government to date formed in Belarus. The protesters were met with violence and restrictions, many of them were given draconian prison sentences. A dangerous climate that sought to nip political activism in the bud took hold. For “Who, If Not Us? The Fight for Democracy in Belarus,” Juliane Tutein filmed and researched for three years in a country that had not seen a change of elites with its supposed independence in 1991. She discovered mainly women at the forefront of the courageous protesters. This portrait is dedicated to three of them: Nina Baginskaya, in her mid-seventies and active in the fight for an open Belarus since the 1980s, Tatsyana “Tanya” Hatsura-Yavorskaya, founder of the human rights film festival “Watch Docs”, and Darya Rublevskaya, the youngest at 22, who works for the “Viasna” human rights centre founded by Nobel Peace Prize laureate Ales Bialiatski.

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?

Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.

In his film, Lothar Lambert has chosen to portray eleven women over forty in Berlin, interweaving accounts of their experiences, their current lives and their expectations for the future. The line-up includes a number of well-known Berliners such as Irene Schweitzer, who runs the shop “Kaufhaus Schrill” in Bleibtreustrasse, photographer Erika Rabau and painter Evelyn Sommerhoff. The women talk about their chaotic family backgrounds, dramatic twists and turns, courageous decisions, failed relationships, breakdowns and new beginnings, as well as the art of gritting your teeth in spite of all of life’s blows. In no uncertain terms the women tell the filmmaker how they came to be the people they are; they also chat unabashedly about their sexual antics and reflect en passant on the social climate in Germany.