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Vita lögner is a Swedish soap opera that aired on TV3,. The plot focused on the social life of the hospital staff and families in the fictional town of Strömsvik. Vita lögner was TV3's first big soap opera hit after Kanal5 bought Vänner och fiender from them in 1997. Many big stars in Sweden have done roles in the show, among them Alexander Skarsgård, Petra Hultgren, Anna Järphammar and Maud Adams. Charlotte Perrelli had a bigger role as Milla Svensson during 1997-1998. It was after Kanal5 bought the rights to Vänner och fiender and TV3 saw what a huge success the show was for the channel that they decided to produce Vita lögner to compete over the same time slot.

When Seo Eun Young's fiance, Kang Jung Woo, leaves her alone and pregnant, she manages to get on with her life. Just as she has a chance to find happiness with Kang Hyung Woo, Jung Woo returns to complicate everything.

Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they've been telling each other.

Set in the wealthy neighbourhood of Bishopscourt, Cape Town, investigative journalist Edie Hansen gets caught up in the ugly underbelly that lies beneath the picturesque beauty of the city, dragging her back to a turbulent past.

The result of the small handkerchiefs "Petits mouchoirs", 7 years later. The band, which erupted, is found on the occasion of the anniversary surprise organized for Max.

Sverre Fjeld is a young police officer caught between the law and his own conscience. Sverre is fresh out of the police academy and about to get married to his longtime girlfriend. As he takes his first job in Olso, a chance meeting with a young single mother leads to a larger web of dirty money, white lies, drugs, corruption and clandestine liaisons.

Heads are lined up on the shelves one next to another, with different colors and hair styles, yet all the faces are cold and nonchalant. This is Rainbow Salon, a supplier of hair models and wigs to salons and schools. Among these countless "heads," the shop owner's wife lies in the basement of the Rainbow Salon tonight--struggling to breathe, her windpipe cut. The shop owner rushes her to the hospital and then flees. A reporter follows this case and finds that the shop owner has fled the city with his first love. As the reporter attempts to unveil the truth, an unsolved murder from the past seems to be connected to the case--and nothing is as it first appears.

Believing she comes from a wealthy family, thugs kidnap a young woman hired as an au pair in Paris.

In this bittersweet family comedy, shy teenager Libby moves back to Israel to live with her hapless father Shaul, unexpectedly finding herself without a home as war breaks out around them. Shaul devises a creative solution: posing as refugees, they are taken in by a wealthy family in Jerusalem. Finally in a “normal” household, Shaul and Libby begin to build their father-daughter relationship, but their false identities can’t last forever.

A museum worker pretends to be an artist in order to impress women. When an attractive assistant director of a SoHo art gallery overhears him, she offers to exhibit his work. He plays along, which leads to a series of complications following his newfound double life. He starts falling in love with the assistant director, but her art critic fiancé grows suspicious.

How can a smart middle class girl suddenly turn into a devoted right wing debater? That's what happens with Catherine when she meets the charismatic leaders of the neo-nazi organization NIM. Catherine, a first-year university student who feels alienated from the liberal campus, joins a hate group through the Internet and becomes their voice, only to gradually question their beliefs even as she becomes more deeply involved.

While detective Liz Donaldson cashes her entire life savings to go to Rome, she meets Dr. Harry MacCrey on the plane. They both lie about their jobs and they fall in love in Rome. But, when they come home they have to try to keep their little white lies to themselves and not let either of them who's who.

James Spooner travels the fiction route with White Lies, Black Sheep, but also interweaves the rudimentary elements of nonfiction (location and behavioral-fueled observation and insight) into this journey -- to such a degree that the outing might well be termed a "scripted documentary." Ayinde Howell stars as Ajamu "A.J." Talib, a young indie rock promoter at ease amid the New York club scene. Though officially Afro-American, he is neither continually conscious of his racial identity, nor -- it seems -- all that affected by it. Meanwhile, his Caucasian buddy Josh (Jeremy Bobb) appears to be grappling with his own racial identity by suppressing his "whiteness" and both acting and thinking black -- dating African-American women, aggressively and vociferously touting The Autobiography of Malcolm X, etc. Initially, though A.J. insists that his African-American heritage is neither here nor there for him, he begins to observe the myriad ways in which it impacts his social relationships.

A powerful publisher John Mitchell whose pursuit of sensational headlines at the expense of all else takes a personal toll when his daughter Joan is implicated in a murder.

Now grown, two childhood best friends find that their little white lies add up to deadly consequences.

A short film released to correspond with the second studio album of the English Indy Rock band, White LIes. Featuring 3 songs from the album "Bad Love", "Holy Ghost", and "Bigger than Us".

Greg Hamilton, a young artist, decides to go east and try his fortune. He finds his work unappreciated, and is unable to earn a living. One day while strolling in the park with his wife, Helen, he saves a little girl's life by stopping her runaway horse, but breaks his finger in doing so. He is then unable to paint, and is forced to take a position in a factory, but tells his wife that he is writing stories for a magazine. A few days later, Helen tells him she has accepted a position as governess. Things go on nicely, but one day they discover they are both employed in the same factory but in different departments.

A medicine woman - a giver of life - is asked to hide a secret which may protect one life but which will destroy another.