Where I Can See Them

A high school with poor academic performance has various problematic students who cannot receive proper education due to abuse or poverty. The hot-blooded teachers here take the role of gathering these students and help them to get back on their feet.

Poland in the 80’s was a country ruled by crisis and a sense of hopelessness. Only few knew how to turn crisis into a business. It was a golden time for them. How did they know what would bring them money? How did they operate in a country where almost everything was forbidden?

In this tender and inspired short, the director sets delicate sand imagery to a conversation with her grandmother who experienced WWII in Kobe. -JAPAN CUTS: Festival of New Japanese Film

A documentary told through real-life testimony and movement, exploring the emotional and psychological effects of police officers’ stop and searches on Black men. The film features Jaydee Dyer who recounts his experiences of being stopped and searched from the age of 11 to adulthood.

The true story of Polish fortunes and the story of the heroes from the first part has its colorful continuation. Can business friends continue to trust each other when even more money is at stake? How were state-owned companies privatized, garnering millions into private pockets? Who was pulling the strings in free Poland? Even more mysteries. Human weaknesses.

Two detectives are hired to discover if a rich industrialist is having an affair. The detectives pose as a gay butler and as a female cook in order to spy on all of the happenings within the house.

A day in the life of an ascetic as he wanders casually through a valley in southern India. Along the way, he meets numerous residents of the region and is curious about their lives. This popular philosopher enjoys considerable authority, sometimes acts as a teacher, and accepts events as the gifts of fate. At the end of the day, he returns to his shelter, where he contemplates life.

After losing a job at the company a man starts working part-time handing out balloons in a rabbit costume. He finds it comfortable to disguise himself in the costume, as nobody would recognize him. Finally, he decides to wear the costume all the time in his daily life. Then the costume becomes a part of his body and confines him inside. . .

Having done time in prison for robbery, the protagonist returns home. A lot of things changed during the time of his absence: his wife lost all motivation to live and leads the life of a drunk, their son was taken into a disciplinary orphanage. The protagonist tries to get his family back together, but will he be able to do it, after the great mistakes he made in his life?

Pastor Ignacio Ramirez has set up the ABBA house, a place where refugees at the US-Mexican border can stay and get their basic and medical needs met.

Where Can I Live tells the story of neighborhood activists who organized to stem the tide of gentrification that began transforming Park Slope, Brooklyn from a mixed working class neighborhood with many single-room occupancy boarding houses to a middle and upper class enclave. The film 1983 film, which was broadcast on WNET Channel/Thirteen and unfortunately is still very relevant in the new millennium, explores both the nitty-gritty organizing techniques of residents and the economics and philosophy of gentrification itself in wide-ranging interviews with developers, city planners and organizers.

You've seen them in pictures...Now see them on the big screen! Everyone's favorite best friends make their feature length debut in a slice of life experience fit for the whole family to enjoy. Follow Abuse of Power as they make their way across the world and back while getting into a little trouble along the way! Will they die in a horrible car wreck? Will Yoon be detained for international war crimes? Will Kaleb and Lon drown Lucky in a hot spring? Will J Little laugh at everything? Did Jug capture all of this action? There is only one way to find out...

A group of young factory workers are drifting through Detroit in a driverless taxi. They are part of an underground community that adorn themselves in digital camouflage to enact their escapist fantasies in the hidden spaces of the city.

Bing-kun Su is destined to be a name that will be mentioned repeatedly in Taiwan's judicial history after the year 1986. Being in the environment of martial law, his family and career were destroyed overnight due to the flaws of judicial judgment. As the vindicator with the longest period of unjust imprisonment in Taiwan's history, Su was constantly dragged down by the injustice, together with his family. The lives of his wife and four children were turned upside down by this tragedy, forcefully changing their goal of life into "the reversal of Su's injustice case". The seemingly peaceful not-guilty justice buries the family's choice of life, with all these hidden costs that judicial compensation can never pay off, casting shadows over S and his family for a whole lifetime.

A widowed woman is shocked when her businessman husband suddenly dies. It was discovered that she had a huge amount of debt, and everything but her home was taken away. In order to survive, she turns her house into a boarding house and tries to survive on her rent, but her tenants seem to have some quirks. What's more, a woman who was her husband's mistress, who claims to be a dildo designer, shows up and tells her to measure the penis sizes of her tenants, and if she doesn't do it, she demands compensation. Was told. She didn't know what to do...

Margaret is an international renowned composer who witnesses the violent accidental death of her partner - and becomes convinced her spirit is still within the house. In the search for an answer, she composes a suite of new music to drive the spectre out from the shadows. In doing so, she evokes her own deep unresolved pain and guilt - and what she's afraid to confront about her own feelings for someone else....

Where Can We Be Found? focuses on the state of Lebanese Cedar trees (Cedrus libani) today, exploring the various ecologies that the tree inhabits and co-inhabits. The film re-tells transhistorical narratives of the Cedar, which has been used since ancient times as a symbol of eternity and immortality. Tracing various degrees of human impact leading to the tree’s contemporary demise—for example, the disruption of its habitat due to climate change and extractive tourism—and its use as a civic emblem to craft the illusion of a distinct Lebanese identity, Where Can We Be Found? distinguishes the Lebanese Cedar as an autonomous being from the various ways in which it has been used as a national, cultural, and ecological symbol, or otherwise misconstrued. [Overview Courtesy of the New Museum]

Heading east to witness the sea again, a traveler's recollection of his lover face grows stronger through time and places.

In the Republican Era Shanghai, two women from different statuses are unexpectedly drawn to each other.