When I Get Home My Wife Always Pretends To Be Dead

One will easily lose his way in dark when he is veiled by power and materials. When he is confronted with obstacles, he may even devote his intimate relatives. Lam Man Kong is a retired policeman. His former subordinates Wai Cho Ho and Ching Kwun have solved many cases with joint efforts. They regard one another as their brothers. However, both of them fall in love with Man Kong’s daughter Lam Ching.

When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife's behavior, but he begins to feel uneasy with her.

Fed up with her parents pressuring her to get married, a hotel manager hires an actor to play her boyfriend—but he doesn't quite follow the script.

A film about the lives of two mothers and their children reflects the real life that is happening in today's society. After years of waiting, the long-awaited finale is finally over, as "When My Mother Gets Old", the third series to tell the story of a mother's life after "Mother's Heart" and "Modern Mother".

Davor is an IT technician who sees the solution to his troubles in going to Canada. On the same day he receives an email that his work visa has been approved, Lana happens to see it too. While he is worrying about how to tell her he’s going to Canada, she is planning a confrontation, frustrated by his secrecy and the depression that have plagued her for months.

When I Get A Minute is a review series for the very busy hosted by two of Australia's most time-poor media personalities Annabel Crabb & Leigh Sales. Join them as they talk about the best & worst.

A film eroticized by prolonged baths in silver salts. Complete exposure of reclining bodies and their lascivious perambulations. Licentious characters in incestuous copulations of carnal metamorphoses and abnormal couplings. The transformations of their bodies in totemic visualizations of a uniquely local rite. Made up of fantastical phallic doublings and entanglements of purely fantastic flesh in dissolution. The entropy of a gymnastic grotesque. A film of smiles and happiness.

"στείλε όταν φτάσεις" (call me when you get home) is a short film exploring the concept of grief and its impacts, seen through a portrait of a house.

Is a series that sees one lonely-heart date four potential suitors at their workplace - be they a baker, dentist, banker or zoo keeper - to learn what they might really be like as a partner and in the hope to find true love. After two full days of dating on the job, the budding singleton will decide which one they like best and will then meet them when they get off work.

Yerlan is in love with Bayan, an employee of the bookstore, but he can't get to know her in any way. At the same time, he receives a summons to the army, which his brother's children help him avoid: Yerlan becomes a "fake" father for them. As a sign of gratitude, Yerlan takes the children to a cafe, where he meets Bayan and introduces himself as a single father. This little lie will be a big test not only for him, but also for Erlan's family.

If you’ve ever wondered whether reindeer antlers bleed if you saw them off, this film will leave you with no doubt. In the remote Altai Mountains of Russia, on the border with China, Mongolia and Kazakhstan, reindeer herders make a living from the trade in “velvet antlers.” South Korean customers in particular swear by the extract made from the antlers, which is supposed to have medicinal properties, including to treat rheumatoid arthritis. The entire process of “harvesting” the antlers is documented in unadorned and grisly detail, interspersed with commentary from the herders and panoramic footage of the green and rugged mountain landscape. During cigarette breaks, the herders bemoan their lack of prospects and the deplorable state of Russian politics and the economy, describing their own position as akin to slavery. Meanwhile, it seems to be the visiting Korean dealers who are raking in the profit.

Within a short time, Namik disturbs the optimistic atmosphere of a group of welders, which is also reflected in his private life.

"Kapag nagwala ang kalabaw" (When the carabao gets mad) intertwines Ericson Acosta’s poem "Walang kalabaw sa Cubao" (There are no carabaos in Cubao) with present voices to explore the struggles of BPO employees in Cubao as they attempt to organize unions.

An employee at a film archive and his character imagine a film to make after work. With the voices of Eduardo Gomes, Gilda Nomacce, Julia Katharine, Juliana Albuquerque, Lucas Wickhaus and Tuna Dwek.

In this uplifting and emotionally charged comedy, inspired by a real road trip, June Stevenson drags her estranged sisters on a road trip up the Pacific Coast to make amends with their difficult father. Along the way, she distracts herself with picturesque landmarks, craft breweries, and picturesque men in craft breweries, but ultimately, she must face the fact that there’s more to her family’s fractures than she thought.

In the three years since her seminal album "A Seat at the Table", Solange has broadened her artistic reach, expanding her work to museum installations, unconventional live performances, and striking videos. With her fourth album, "When I Get Home", the singer continues to push her vision forward with an exploration of roots and their lifelong influence. In Solange's case, that's the culturally rich Houston of her childhood. Some will know these references - candy paint, the late legend DJ Screw - via the city's mid-aughts hip-hop explosion, but through Solange's lens, these same touchstones are elevated to high art.

Ruth Duffy is getting by on an assistant's salary at a pricey school for girls in Manhattan, managing to move beyond the trouble and loss of her teenage years. Jonny Collins is working local jobs near the Throgs Neck Bridge in the Bronx. When they cross paths after years apart, Jonny is as consumed with Ruth as he was in their high school days, and he infiltrates her life for love and profit.

Victor introduces where he lives: inside a rhinoceros's head.