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A man gazes into the camera, breaths, speaks, and blinks. In playfully formal austerity, Thomas Renoldner explores the borders of the cinematic genre. Real film becomes stop-motion, language a hammering noise staccato. The film draws comical and intellectual potential from the transformation of organic movements and sounds into mechanical ones, from the dissolution of the world into abstraction and rhythm.

10 June 2013 with a budget of 100 rubles a day, hoping to hitchhike, I went from Obninsk Russia to the east. The ultimate goal was Vladivostok. Had to overcome a distance of 9200 km. During the time I was not restricted. With people, you see, I spent a few hours with someone a few days, but none of them I did not know until this trip

Ben, an aspiring cartoonist is closed off from a recent breakup. While lost in self doubt he meets vivacious and free spirited Juliette. They have an instant connection but she also has plans to move away soon. Regardless, the two decide to spend time together while they can. As their love for each other grows, their time together dwindles and they have to face that love may not be enough for her to stay.

Lacey struggles with body image issues when faced with mean comments on social media.

A horror short film.

official prequel of American Guinea Pig 4: SACRIFICE directed by Poison Rouge "What have you done, Daniel?" will explain to the audience all the things remained unclear in the first film. Starring cult actress Lynn Lowry, Frank Laloggia and again Roberto Scorza

A masked killer has gunned down the owner and editor of a famous political magazine in the print magnate's own home. As the police begin to interview potential suspects and witnesses, they uncover a highly tangled web of intrigue.

Meet Brandon, a tormented teenage boy at the end of his rope. What could possibly happen to bring someone to his conclusion? Follow him and learn the source of his nightmares. His only problem? You can't wake up when you're not dreaming.

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of empire, colonialism, and its impact on the modern world.

On February 20th GCW presents Don't Tell Me What to Do live on FITE straight from Showboat in Atlantic City, NJ!

Shot during the summer of 2005, this enigmatic film was the second collaboration between Saint Etienne and director Paul Kelly. It follows a young paperboy's adventure across London's last remaining wilderness in the Lea Valley on the eve of the Olympic development. A poetic ode to a metropolitan hinterland that has been forever changed by the impact of the 2012 Olympics games.

Is it possible to look into the future? Does mind over matter really exist? What is true about psychic healing? Is remote viewing real? Where is the boundary between real magical powers and fraud? Find out what scientists have to say.

Examining the racial history of All Saints in Indianapolis and exploring how racist policies and actions continue to impact the congregation in uneven ways, this film combines stories from community members historicized with archival footage documenting neighborhood changes that impacted the racial make-up of the congregation and the internal dynamics of the church.

A town half secluded in the woods with a classic Greaser vs Soc rivalry that turns deadly after Natalie Lloyd mysteriously disappears. Her boyfriend, a Soc, and her older brother, a Greaser, blame each other for what happened but lurking in the shadows is a dark figure watching them. A dramatic adventure of these boys trying to find their ways by getting into fights, stealing cars, championship football games, and complicated relationships. All the while not knowing of the Evil that hides in the shadows.

Loosely based on the Edgar Wallace mystery novel "The Clue of the New Pin", the film is set at an all-girls school where a killer is on the loose. A gym teacher who has been sleeping with one of his students becomes a suspect and sets out to find the real killer.

Depicts a vague slight-experimental of a teenager who has suffered from his past for a long time, on a journey into his mind and his solution to repair everything.

A non-linear rumination of catching oneself between the headlights of cowardice and conviction. Subtly confrontational for those who can never seem to stay, nor fully walk away, featuring music by Rae Spoon.

YOU DON'T EVEN KNOW WHAT I BEEN THROUGH is a hybrid, experimental documentary short film loosely based on the short story Jack-O by James Franco (part of the collection of short stories entitled Palo Alto). It is told through stream-of-consciousness storytelling (inspired by filmmakers like Joel Potrkyus + Matt Johnson) with no real rhyme or reason. It's all over the place. But that's kinda the point. It is told with a millennial eye, but somehow universal. "A thing that we lack as humans is showing how vulnerable we are. Everybody's so afraid of people finding the demons under their bed. And it's like, 'Just show it. Turn it into something beautiful.'" - Noelia Towers.

"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts as a deformative device between the viewer and the artist, as a hand is writing "don't do to her what you did to me" on the back of the photographs. Everything is still again for a short while until, slowly and majestically, a flush of black ink flows downwards, staining the water... The ink preludes the more dramatic fate of the repeated haunting images, the deceased woman. One hears a metallic sound as the photographs move in a more frenetic spin. One is aware of the glass again, of the limited space where a struggle takes place between a probable spoon and the photographs which dematerialise under one's eyes. The sheer immediacy of the destruction process is intensified as the image dissolves into an organic paste. Then, a woman, the artist, drinks the solution, the last ironic phase of the talisman." -S.Z