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When award-winning filmmaker Juan Antonio Moreno Amador learned that Seville's last brothel was being repurposed into a refugee reception centre, he moved in with his cameras.
Three people in the remote mothballed mining village of Pyramid on the island of Svalbard are implementing a fantastic idea of the high authorities to create a large Arctic tourism center in the village.
Alexander Ritchey showed a lot of promise in tennis & ping pong as a child and teenager, but alcoholism and drug abuse eventually took over completely.
The demon in charge of welcoming people who arrive to Hell is not exactly in love with her job.
A documentary that is closely tied to "Kodomonosato," a playground that has served Kamagasaki, Nishinari-ku, Osaka, known as the "city of day labourers," as a place for kids to unwind for 38 years. No matter their disabilities or countries, "Kodomonosato" admits kids from 0 to 20 years old for free. It serves as a bustling gathering spot where parents and children who are temporarily away from home can unwind. It shows the trials of young people who overcome obstacles to become strong adults, the staff members who help them, and city dwellers.
The story of a man in his thirties who is possessed by a Toraja funerary statuette stolen by his companion in an Indonesian cemetery. This film, worthy of an Edgar Allan Poe tale, is the incredible but authentic account of a man who, although he does not believe in spirits or the afterlife, was, for more than ten years, the victim of the vengeful rage of a cult object.
A daughter returns home to reconcile with her mother, using their language barrier her spiteful sister threatens to pull them apart forever.
Beauty parlours as places of listening between 3 women in Women Women Women. The young stripper Kika has a troubled night. In Naftalan, the mother of the director is being treated for psoriasis in a specialised hospital and in White Trash a dumping ground is inhabited by hundreds of gulls in a dense fog. Now I Am Irena confronts a past pregnancy and Welcome to Igrane shows a region’s resistance to touristification.
A clash of cultures takes place when a dark skinned girl guests a German family as an exchange student.
Rågsved, a suburb of Stockholm, Sweden. People, atmosphere, politics, football and punkrock. Revolving around the youth center "Oasen".
Parents and children are reunited after 13 years apart. This is the starting point of the film, which follows the process of affective reconstruction of director Marcos Yoshi's family, crossed by the flow of migrations between Brazil and Japan, known as the dekassegui phenomenon. The story of a family of Japanese descent torn between the need to make a living and the desire to stay together.
The subtitles respond to each other and remind us with joy and joy that if we live, it is to die.
Saggi Kaita, his wife and three children (born in Spain), along with his brother, Mahamadou, travel home to their village, Diabugu, Gambia, for the first time since they emigrated to Spain over ten years ago. The reason for the journey is the wedding of Mahamadou and the girl (now a woman) to whom he had become engaged before emigrating.
Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?
Two friends, both members of a Japanese cargo boat, return to Japan after a three-month voyage and have just 24 hours shore leave. In those hectic hours, they vie for the affections of a hotel owner's daughter but wind up with separate girl friends and attempt to bring together the parents of a baby who have separated.
Kyo-hwan was not invited to the housewarming of Seung-jo and Soo-kyung today.
The winner of the 2001 International Emmy award for Best Documentary, Welcome to North Korea is a grotesquely surreal look at the all-too-real conditions in modern-day North Korea.