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What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former eastern Germany. At the end of the 80s they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to grips with the reason they separated 12 years ago.
Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.
1938 German film.
The film consists of four parts: Part 1 shows the founding of a new working group of the "Critical University" at the FU Berlin. Participants are students, workers, pupils, assistants and a university lecturer. The working group is founded to study the problems of educational advertising. Part 2 shows the campaign "Expropriate Springer"; the university administration of the FU Berlin refuses the rooms. The Springer Hearing takes place after all. Part 3 describes the Vietnam Congress, shows Dutschke's speech and a first approach to a counter-demonstration against the students. Part 4 answers Wolfgang Lefevre's questions about the next goals of the SDS.
How do you deal with right-wing extremists in the neighborhood? Exclude, tolerate or involve? Rural regions in particular are prone to infiltration by nationalist settlers. Right-wing extremists systematically penetrate village structures, pretending to be nice neighbors, committed citizens and problem solvers in a completely non-ideological way. Local volunteer fire brigades and football clubs are infiltrated by Nazis. Done among others in the village of Groß Krams in Mecklenburg-Western Pomerania, where two right-wing extremists seem to be part of everyday village life. One of them works as a firefighter. In Appen, Schleswig-Holstein, the state chairman of the Hamburg NPD wanted to join the village's football club. But the club's management refused when they found out about the political background. The documentary by Hans Jakob Rausch illuminates the infiltration strategies of the extreme right and the difficult balance between tolerance and engagement against right-wing radicalism.
A documentary about the protests against Covid measures in Austria in 2020 and 2021.
Karin and Herbert have re-converted their house to its original state of the 1930ies. Dina sells original clothing from the 1950ies, and Mario gets people dancing with Swing music. Four very different personalities who have found their freedom between the now and then, and their joy in reviving the past in the present.
How come that a 19 years old man from Dortmund is becoming part of the IS? Journalist Thilo Mischke tries to find answers to that and many other questions in this documentary.
Wuppertal is a drizzly, industrial city on the Rhine and one immediately wonders why Pina Bausch and her avant-garde dance troupe have settled there. A socially engaged documentarian, Wildenhahn is also perplexed by this issue and spends considerable time trying to place Bausch in a context outside of the aesthetic. Still, the dance company's daily life and the excruciating rehearsal and performance schedule is solidly captured. The film begins cleverly: a dance critic offers sagacious comments on ballet dancers finishing their careers at mid-thirty just when, according to Bausch, the "aspects of misery, suffering and fear of death should become an integral part of a dancer's spiritual and psychological make-up." Wildenhahn's camera glides over the dancers' bodies as Bausch leads them through their paces, a consummate teacher. Leaving behind rehearsals of "Bandoneón" and "Walzer," Wildenhahn then ventures out into the streets of Wuppertal searching for the dance of the common people.
Sabotage acts are committed on the film theaters of a city for no apparent reason. Two secretaries of "Mega Film", which has been damaged by a sabotage act, decide to try to find the saboteurs in order to determine what their motives are.
