Voyage à Travers Un Film Sauve Qui Peut La Vie

My Journey Through French Cinema (2017), Bertrand Tavernier’s César-nominated three-and-a-half-hour tour through French film history, was too short to introduce audiences to all that he wanted to share. In this new eight-part series (8x55min), the acclaimed director of such films as Coup de Torchon and ‘Round Midnight guides us through a roster of filmmakers both influential and forgotten, explores how his country’s cinema was shaped by the German occupation and changed again through the New Wave, spotlights little-known female filmmakers, and more. Subjects include: René Clément, Henri-Georges Clouzot, Julien Duvivier, Henri Decoin, Claude Autant-Lara, as well as composers who made movie music an art in and of itself, far from the Hollywood spotlight.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Footage from the dawn of film taken in Belle Époque-era Paris, France from 1896-1900.

A televisual journey guided by Jean-Luc Godard inside his film Sauve qui peut (la vie), incorporating filmed conversations between him and Isabelle Huppert and the film critic Christian Defaye.

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A documentary about the first century of pornographic cinema, including extracts from pornograhic films and animated movies. In order to show the evolution of this genre, the film is divided in several parts: "Une préhistoire clandestine" ('a clandestine prehistory'), "Le temps de la libération" ('freedom time'), "L'age d'or du X" ('heyday of porno'), "L'explosion de la vidéo" ('the multiplication of videos') and "Les nouvelles tendances" ('the new tendancies').

From Bucharest to the remote villages of the Carpathians, from the national composer Georges Enesco to his contemporary heirs, a journey in the footsteps of Romanian musical traditions. “Romanian popular music forms an imposing whole, a precious treasure from which our composers draw their inspiration,” said Georges Enesco, trained on the violin by a Gypsy teacher. Punctuated by quotes from the composer and interpretations of his works, this documentary sets out in search of a treasure of many nuances, which continues to liven up village festivals and influence the young Romanian scene. From the scores of Dan Dediu, one of today's greatest composers, to the folk songs of the Maramures, a journey to discover this fascinating mosaic of musical cultures.

Mourning the loss of her mother, nine-year-old Cassie Aisling daydreams of the magical, mythical world her mother left unfinished. Then, one day, a troll appears. Then another. And another. Before they know it, the Aislings find themselves in the vortex between worlds and transported to a ship called the Unicorn. Here, the Aislings discover that they’ve been chosen to find the magical dragon.

This intimately narrated journey from Russia to Rotterdam, via rail, road and Finnish ferry, is a melancholy meditation on divinity, time and place in art, purpose (or its lack) and the loneliness of the soul. Passing through misty snowscapes, half-glimpsed cities and the icy night sea-swell.

Of all continents on Earth, none preserve the story of the formation of our planet and the evolution of life quite like Australia. Nowhere else can you simply jump in a car and travel back through the entire history of the world. Australia: The Time Traveller's Guide takes you on a rollicking adventure from the birth of the Earth to the emergence of the world we know today. Buckle up for a rocky ride down the Road of Time with series host Dr Richard Smith. Over four one-hour episodes, we meet titanic dinosaurs and giant kangaroos, sea monsters and prehistoric crustaceans, disappearing mountains and exploding asteroids. Epic in scope, intimate in nature, this is the untold story of the land Down Under, the one island continent that has got it all. So join the good Doctor for the ultimate outback road trip: an exploration of the history of the planet as seen through the mind-altering window of the Australian continent.

Jean-Michel Jarre is one of the pioneers of electronic music. He is a composer, performer, songwriter, and producer whose pioneering approach to electronic music and live performance has influenced a generation. The emergence of the album "E-Project"is album is the focus of the documentary "A Journey Into Sound" by Birgit Herdlitschke. The film also airs the secret of success of Jean-Michel Jarre. With material from private and public archives, the film looks back on his youth, the first experiments with electronic music and his relationship with his famous father Maurice Jarre (composer of soundtrack for "Lawrence of Arabia", "Doctor Zhivago").

Martin Scorsese celebrates American movies from the silent classics to the Hollywood of the seventies.

Beginning this "personal journey" with his childhood passion for the movies, Martin Scorsese offers a provocative, multifaceted portrait of a strange breed -- the Hollywood film director. From D.W. Griffith to John Cassavetes, he examines the triumphs and vicissitudes of the masters whose films prompted him to become a filmmaker. The question that absorbs him is, "What does it take to be a serious artist in Hollywood?" (Criterion)