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Kamel, a young man from the french ghetto, near Paris, is coming back to France. He was arrested for dealing drugs, he spent five years in jail and was banned from France for two years. He tries, with his family's support, to find a job and live a normal life. But nothing's normal in the ghetto.
Jacqueline is hospitalised in a long-term care unit. Her carer, Kani, has followed her from her home to the hospital. Over time, the two women forge a singular relationship. Next to Jacqueline’s ailing body and impaired memory is Kani’s solid stature and zest for life. Jacqueline is my mother. All three of us are in the same boat, this film is our crossing.
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
A parody of feminist criticism on found footage covered by humoristic chisellings, signs or hasty figurative elements. Sometimes, chisellings are fine, and sometimes they are treated in large shots (razor tears, acid, cutting the film itself, wide spraying, thick stamps). A bedsheet is used as the final screen from which various women's evocations are represented.
Lucie has just started school, full of questions. If life were just a little more like in the fairy tales ...
Experimental Short Film
Kumba is a young Ivorian mother living alone in Paris with her two children, Adja (7) and Bakary (8 months). One day, she is asked to replace a cleaner friend at short notice. Kumba has to choose between working and caring for her small son. She goes to work, worried sick. Her little boy is left alone at home.
The film delves into cosmic horror as “The Samhain Swim Team” invokes an unspeakable darkness from the depths of their Olympic-sized swimming pool.
Two friends, Arthur and Jérôme, want to make a film. After much hesitation, they give up their primary aspirations and opt for a trendy theme: eroticism! Benefiting from a tidy sum of money, all they have to do is find the ideal cast. But the tandem is far from imagining that this somewhat crazy project will completely change their existence.
Gaby is happy. After eighteen years of work, he is a flourishing mechanist. But one day, the mechanic of his life is out of order. He discovers that his assistant is in love with his wife. This one runs away with her daughter in law. So, Gaby's friends imagine a gambit to find them, at the moment where father and son enjoy pleasures of single life.
Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!
A film in blue, with a few red moments. It is an attempt to paint with the camera, to try to approach, through the associations/oppositions of objects, elements, colors, a certain tactility assumed by the visual. The Super-8 camera, often hand-held like a pencil or a brush, produces a sum of sketches that the montage has tried to articulate. (The rhythmic component of this one made me give up any use of sound). —Eric Lanz
Taking inspiration from the comic books of the same name, each episode of this animated anthology series questions, revisits and twists classic Marvel Cinematic moments.
