Voirfilm Men

Bad at sports, Takeshi and Ryo, a gay couple, get together with Akira and Mitsuo, another gay couple, to participate in a beach volleyball tournament all the while Ryo is set to meet a man he met on a dating site. As the tension grows, Takeshi's older sister, Rika, shows up with her lover, Yuichi, who was the captain of the volleyball club in high school.

Yoichi, who is tired of living in Tokyo, works as a clerk at an inn run by Osawa, a senior he admired when he was a student. The two are attracted to each other. but the feelings are in each others hearts. Set in an inn in Shinshu. It depicts a heartrending love story of a young man who is tired of the city.

The last eight of a guards regiment of the Northeast Anti-Japanese United Army try to survive and keep on fighting.

Measuring up well to their older American counterparts –- Scorcese, Coppola, De Palma or Friedkin –- the new Korean auteurs likewise seek to integrate the political turbulence of their land, particulaly the trauma of the recent disctatrial regime, into their work. The directors Park Chan-wook (Oldboy), Kim Jee-won (A Bittersweet Life), Bong Joon –ho (Memories of Murder), Ryoo Seung-wan (Crying Fist) and Kim Ki-duk (The Isle) subvert the codes of genre cinema, just as their American predecessors did in the 1970s. In violently evoking the atmosphere of political and cultural decay in a wounded, divided Korea, these young filmmakers experiment with new cinematographic and narrative forms which have begun to take the world by storm.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

This is a documentary of truth from the Brazilian waterfront – the true story of the men and women of the port of Rio de Janeiro as it actually happened.

Valentine has only one: to go to Luxembourg to see his father. To achieve this, he allies himself with Justino, a wise old man with any answer on the tip of his tongue. A tale about a little apprentice and his demanding master.

After 40 years Alain Tanner again travels to the port of Genoa, where he worked for a shipping company as a 22-year-old. On the back of his own memories he depicts the rough world of the dockworkers, another of those trades that has undergone fundamental changes as a result of recessions, modernisation and liberalisation. “The visual impression of the harbour and the city has changed very little, but what goes on there nowadays is completely different. The city is still as beautiful and alien and somewhat sad as before. But the port is dying, like so many other major ports. In Genoa, as elsewhere in Italy, the economic, social and political climate is highly explosive. But you also feel that things are in flow and the country is on the verge of some far-reaching changes. (...) In this film I wanted to explore my own memories of Genoa, uncover its present and guess at its future. Genoa, this beautiful, this sad, this alien town has become for me a metaphor for society in change.”

A portrait of fishing life on the west coast (Västerhavet) in Sweden, 1935.