Voirfilm Marr

Brazilian Band - Back To Bar - Live is the 17th album of the Brazilian backlands double Bruno e Marrone, released in 2009 on CD and DVD Recorded at Hangar Studios in São Paulo, on 29 and 30 October 2008, the album revives the early career of Bruno e Marrone, who performed in bars in the region of Goiás and Minas Gerais. The scene was set and designed to resemble the atmosphere of the bars. The album features some of the major successes of the repertoire played by the duo in their early career, such as "I Am" by Chrystian & Ralf and "Two Times You" Caesar and Paulinho, besides the unreleased songs "Love You So Much" , "can Go While" and "Do not Try to Stop Me" (the lead single from the album). Also noteworthy rewriting "Cavalcade", success of Roberto Carlos originally recorded by them in 1977. This album also received a nomination for the 2009 Latin Grammy award for best backcountry album that same year.

Brazil - Live in Goiânia is a live album by Bruno and Marrone it was released in 2006 by Sony BMG to celebrate 20 years of the duo. Was certified double platinum for 200,000 copies sold.

Inspired by the works of Tangier writers Paul Bowles, Mohammed Choukri and Mohammed Mrabet, the film features two brothers, Hammadi and Aziz, who set out in search of a life that offers more than the slow and repetitive rhythms of their rural village in Morocco's Atlas Mountains. After making their way to Marrakech, they encounter the endless drone of the city, congested traffic, snake charmers and even happen upon a Western film crew that wants to include them in their film. What does the future hold for these two brothers, with no jobs or prospects in a large city such as Marrakech?

A drunken man is left by his wife but she later comes back to him when she realises how desperate he is.

A Keystone slapstick comedy Harry McCoy & Mae Busch.

Eleni, who was raised in Greece but lived with her aunt Martha's family in Martin, Tennessee met Demetrios who was living and working with his father in the Greek village of Ano Ravenia. While she was on holiday, they fell in love and married. This observational film follows this Greek-American wedding day in the manner of a home movie shot by professional filmmakers. Delimited, natural, and spontaneous, the film reveals the American influence on Greek culture through behaviors, attitudes, and language.

A young couple, urged to wait before getting married, visit their minister for advice. Two case histories, where marriage was not postponed until school was completed, demonstrate that too early marriage may mean sacrifice of other important satisfactions.

A bored housewife starts an affair with her husband's friend. Trouble for the whole family.

Learn what it takes to make the modern-day marriage work in this inspirational program. Professional counselors Morrie and Arleah Shechtman provide their expert advice about the toughest thing to do in a marriage: change. Together, they touch on ways to avoid focusing on dramas of the past, the importance of having shared values, taking risks in the relationship and finding ways to live in the present -- all aimed at a common goal: happiness.

Post-World War II film for young couples advising them of means to strengthen their marriages. Shows how two young couples have built lasting marriages by a clear analysis of their mutual aims and cooperation in achieving them. One couple, university graduates, have many interests in common. The other couple, a business man and a teacher, center their mutual affection in their son. Designed to be used with a marriage text.

After a mysterious incident at school, Sadie is sent to the 412 All-Girls Reparative Retreat where eerie happenings start affecting her and the people around her.

After being fired from his job, Theo gets involved in a car accident. He is experiencing much stress due ti his upcoming wedding. On top of all that, an ex-girlfriend finds out about his wedding and tries to meet him, she is prepared to do anything to get him back.

Russian beauty Anita Mellikovna, traveling by train with a forged passport and carrying jewels, finds the police on her tail.

Mae and Rendy already have children, they decide to become an independent family which is free from their parents and friends who only caused trouble. But after giving birth, Mae experienced 'baby blues' which made her become emotional.

“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning and ‘nonsense’. All of these strategies are much in evidence in (Land’s) marvelously duplicitous ON THE MARRIAGE BROKER JOKE… [...] so clever and original a filmmaker as to make most others – not to mention his critics – seem flat-footed by comparison. ON THE MARRIAGE BROKER JOKE harks back to Bunuel’s early work. Not only is it structured like a dream and filled with sexual imagery, but like Un Chien Andalou, it smacks of being an insider’s joke played upon the avant-garde. Where Bunuel used the insights of psychoanalysis to satirize Christianity, Land– with an almost equal perversity – reverses the process and uses Christianity to send up Freud.” – J. Hoberman, American Film

A SPEEDY MARRIAGE (Universal-Century - Two Reels) This is a typical Wanda Wiley vehicle with a world of action, none of which, however, has not been seen many times before. They have taken the action out of about three oft-repeated comedy tales and crowded it into these two reels. Miss Wiley is certainly a lively young lady and a glutton for punishment. She takes many a hard fall and an equal number of rough knocks. She is also capable of better material than she is given to exploit in this one.

A same-sex couple celebrates their 25th anniversary by traveling across the country to get married in every state that will let them.

An Argument About a Marriage raises questions about the impact of European farms on the economic and the social life of the Ju/'hoansi; about the complexities of marriage rules and bride-service in their traditional kinship system; and about the nature of conflict and its mediation among the Ju/'hoansi. Despite the interpersonal anger, we see how oma's skillful intervention prevents this particular conflict from escalating to violence.