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Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.
Intended for the general public, this film illustrates scenes from everyday life in Roman Africa.
“In 1992 I bought a small mini-DV camera to film my diary and fix my memories, which have become “transparent” due to my nomadic life. When I returned to my village, I learned that an attempt had been made to poison my great aunt Yasmina. I went to visit her and that's how I started this movie without knowing it. Very quickly I was caught up in Yasmina's oral novel and its great secret. I was working at the time, in Europe, on my exhibition "The 60 Names of Love". My life was divided between two exiles, here and there, between the Gregorian calendar and the Hegira calendar, between the drama of Yasmina and my journey to the heart of the Arabic language and The 60 Names of love.” Nacer Khemir
