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A staging of Marivaux's play "Arlequin poli par l'amour" by Thomas Jolly.
A building, a landing, two tenants: he, Jacques Loursier, is president of the U.R.A.F (Union and Resistance Anti-Woman); she, Eliane Cahuzac, is president of the Association for the Triumph and Independence of Women. Unaware of each other until then, a cold war begins between the two parties. An attempt at conciliation fails then, after many adventures, love triumphs.
With Algarve and South Africa as main stages, Paixão tells the story of a love that was destroyed by a lie. This is the story of a man determined to fight for justice and to recover ten years of his life and an unshakable love that resists time and all threats.
A love story between two women during the first lockdown because of corona in Vienna. They only talk with their phones to each other. Then their daughter Anna gets into trouble. But at least it seems so, that it could be a happy end.
In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.
L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.
L'Opéra National de Paris' production of L'Amour des Trois Oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.
The story of two artists in love with the same woman.
Artists, from production to the rap scene, are predominantly male in the French rap world. To challenge stereotypes, five female rappers from diverse backgrounds have decided to come together to make their voices heard by recording an exclusive track together. During this unique artistic venture, these young women collaborate not only on writing and recording but also on producing the song. It's an opportunity for them to share their experiences and to feel empowered together.
Laurent, a young playboy, lives off his charms, maintained by wealthy women of the world. He becomes the lover of Sonia, a young woman painter, a lover at heart of course. But Sonia has a provincial friend, Clotilde. One day, Clotilde pays Bona a visit. As she has just come into a large inheritance, Laurent courts her and marries her. The young couple embark on a misguided life of easy pleasures and questionable company. Clotilde's nerves crack at this game. Among Laurent's acquaintances, François, a doctor, treats her in his clinic: sleep cure, rest, etc. Meanwhile, Laurent distracts himself with other women. But Clotilde, convalescing, refuses to resume life together. Laurent turns to his former mistress, Sonia.
