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The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
Benedicte is a divorced woman who is greatly appreciated by those around her. One day, she finds an anonymous declaration of love on her desk. The strange letters accumulate and Benedicta is eager to discover the author. And who better to help her in this exciting investigation than her wild ten-year-old daughter?
A pretty maid is out walking and encounters a series of military men, starting with a private, who lose her to higher ranks.
"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.
Follow three couples who have gained weight during their relationship and want to make a change. Over the course of several months, they will attempt to break old habits and make positive lifestyle changes in an effort to revive their love and mutual attraction.
Why and how do we fall in love? A scientist analyses how Juliette is the victim of a thunderbolt. 3D images show how the senses of Juliet are stirred by the emotions of her love for John.
The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.
Documentary about director Jean-Luc Godard and Anna Karina. In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"
Young actress in a man’s world. Dinner with a director. They observe people at neighbouring tables. The man’s pass comes to nothing. Then, back home, she fights with her boyfriend. Back home, there is another row, with her boyfriend.
Love in the winter
Adolescent French suburban lower-middle-class nerd Marc Morel was happy being the teacher's pet and school representative in a Latin competition. Until he meets and instantly falls in love with fatherless semi-illiterate shop clerk and ditto-daughter Martine Pérez. As his overbearing father Robert feared, stripling hormones run wild at the expense of academic future-building, but paternal authority is overruled by 'young love', which even yields peer-acceptance. Cool big brother Christian, a photographer, tries a more understanding approach, but even that runs into trouble.
Monsieur Renoir the matchmaker tries to match Hector the garbage collector with the Princess.
Innovative sixties softcore. Lenore and Suzanne are swinging 60s chicks who share a swank apartment and a Lincoln Continental financed by their rich, bankrolling daddies.
