Voirfilm La Maison

Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.

In a last gasp effort to school Titine in domestic labor, her parents entrust her with housesitting. She executes her obligations with catastrophic aplomb, shattering all the dishes in the gesture of cleaning them. She manages to flood and incinerate her entire home simultaneously. In a futile effort to find her baby brother and pet dog, she inherits a horde of stray canines and orphaned babies.

From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.

The stick man Fantoche is looking for a home, but there doesn't seem to be any room anywhere, not even in Hell.

After her parents' death, a young woman moves in with her unsophisticated country relatives with unfortunate results.

Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who looks like him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.

It is a port familiar to 19th century artists and contemporary upstarts. It is also a very beautiful place, sometimes funny, often melancholy. The film has two parallel views, one tourist, the other personal.