Voirfilm La Maison

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,

A trio of prankish boarders wreak havoc on their landlady and an intervening policeman.

After a long journey, Alain arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic.

What to do, and what not to do, when one is building or renovating a house.

From the outside we can not see anything, inside we hear everything. In the distance the roads are closed, when closely open the possibilities.

In the suburbs of São Paulo, Gustavo, fifteen years old, spends his days in a community center managed by the evangelistic church. His mother, Giselle, has problems of alcoholism. She is summoned to the center where she meets Valeria, the social worker. Valeria is also a minister.

Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader's voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work.

Julien, a renowned geologist, lives with his wife Isabelle and their two children in a country house. But his sullen, uncompromising attitude leaves tensions high. The arrival of Carl-Stephane, a young German student, brings a breath of fresh air and lightness to the household.

A stranger named Constant disrupts the life of Flora, who is seemingly happy with her husband Lucien. But she suddenly experiences a passionate love, taking refuge with Constant in a cave they call “home under the sea.”

During a ceremony in an orthodox church in Paris, a 40-year-old writer and journalist is seduced by a young man, whom with she will live an extraordinary story of love and passion that will drive them to madness.

A burly mustached man breaks into a seemingly abandoned house to escape a blizzard.

Based on the novel "L'avenir est un crime du passé" an autobiographical novel of Arab cameraman Rahal Amin Touati, and "The house of certain Death" written by Albert Cosseri.

After a rich English lady is killed in a Dijon house, the only person there who doesn't have a solid alibi is about to be arrested.Will a detective from Paris be able to help?

In a village on the French-Belgian border, a smuggler named Sylvain falls in love with the pretty Pascaline, which infuriates Germaine, his mistress. The jealous woman reports Sylvain to the police. As a result, the young man gets hurt during a night chase. Fortunately Pascaline offers him hospitality and looks after him.

In the summer of 1969, Bernard, a Gaspesian fisherman's son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the 'Fisherman's House'. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio's ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.

Annie-Soleil Proteau embarks on major renovations to her family home, the one she was never able to leave. It's a project that has her going back into her memories and thinking about how she put down roots in Hochelaga; her neighbourhood, her village.