Voirfilm La Mais

French horror short from 1911.

Through a first-person narrator, archival footage and photographs, and a contemporary camera, Pavel Lounguine uses the Moscow skyscraper where he grew up as a touchstone for looking back to Stalin and then examining today's Russia. This is Stalin's pyramid, his immortality. We visit people who have lived there for 50 years, see their flats (some modernized, others decaying), and listen to their histories: the son of a KGB man, a retired rocket scientist, a sculptor's son. an actor, seamstresses at a uniform shop, an ex-pat, and two artists. We see a kindergarten and remember marching; we watch parades and discuss surveillance. The commentary is wry: Putin emerges as Stalin's heir.

Sideshow Bob teams up with the most infamous villains of Disney+ to share the true meaning of the Halloween season. Filled with music, mayhem, and madness, this short from "The Simpsons" is simply to die for.

The West Wing provides a glimpse into presidential politics in the nation's capital as it tells the stories of the members of a fictional presidential administration. These interesting characters have humor and dedication that touches the heart while the politics that they discuss touch on everyday life.

Roderick Usher is the last surviving male member of his family, living as a recluse in the ancestral home with his twin sister, Madeline. She is slowly dying of a disease for which her doctor seems unable or unwilling to find a cause or a cure. Roderick begs an old friend to visit. Shortly after the friend’s arrival, Madeline is found dead and is buried in a vault beneath the house. In an attempt to calm the increasingly distracted Roderick, his friend reads to him a medieval romance. As the climax of the tale is reached, the figure of Madeline appears—she has been buried alive and has clawed her way out of the vault to find her brother. Roderick is overcome by horror and as he and Madeline both confront death, the House of Usher collapses around them

Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.

In an outlying district of Nyon, a self-managed after-school centre offers children an island of freedom. Founded by an association of women volunteers, this atypical centre has survived 30 years of urban and social change in the district and continues to offer a rare, idealistic and joyfully disorganised space. The film will be screened as a Relaxed session.

The architecture logs of the WIPP nuclear waste disposal from 2030 to the year 10,000.

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

The outward perfection of a family-run flower business hides a dark side rife with dysfunctional secrets in this darkly humorous comedy series.