Voirfilm I Want You Back Film

A couple are making love beneath the window of a cranky old gentleman. There is a handsome window garden above them filled with plants and flowers. The old gentleman throws out a rope upon the lovers to annoy them. They, not knowing what it is, seize it and pull the window garden down upon themselves.

Unraveling the value of emotion in contemporary society, the work of Belgian-American artist Cécile B. Evans explores the person-to-machine exchanges that have come to define the contemporary human condition. Her video installation What the Heart Wants examines what constitutes a person in the digital age and how machines (technical, social, and political) shape how we are “human.” If “corporations are people too,” as in the notion of corporate personhood, then HYPER, an ambiguous power and the narrator of the video, has achieved this ultimate goal. Amidst the dizzying paradoxes of future-turned-now, she is joined by a range of other protagonists: an immortal cell, a memory from 1972 that has outlived the humans who would have remembered it, a disbanded trio of off-grid lovers, lab children with their robot caregiver, and a workers’ collective comprised entirely of disembodied ears.

During the spring of 2000, eleven girls aged 8 to 16 from a variety of socio-economic backgrounds and two classrooms of middle and high school students were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses provide the central theme of the film, a half-hour examination of how the media presents girls. Juxtaposing footage culled from a typical week of TV broadcasting with original interviews, WHAT A GIRL WANTS will provoke debate and, ideally, act as a catalyst for change in media content.

Satina asks her mom to read her a bedtime story

“My mother has been living with me and my teenaged daughter part time for the last year. When the pandemic hit we lost our personal support workers, and I found myself juggling caretaking, homeschooling and work. Because of Alzheimer’s, my mother’s mind is slowly departing, but her essence has not changed. Much of what she has been experiencing for years –profound disorientation, anxiety, mental fog–is what I was experiencing during isolation. With snippets of night time conversations and a stack of my drawings, I’ve created a sense of our world together — a world of overlapping thought, lapses, bent time, lost words, the absurd, and love.” – Heather Frise

Kyle is a young American who lives in Argentina. One morning Hugh, a childhood friend who had disappeared eleven years earlier, knocks on his door. Hugh asks him to let him stay at his house for a few days, arguing that a group of people are looking for him. Soon enough, Kyle will regret agreeing to his friend's request.

Returning late to London, Johnny gives a lift to an attractive female hitch-hiker. Some distance on, he stops to make a phone call and buy a coffee, but on returning to his cab finds the woman gone. Assuming she has hitched another ride, he continues on his way. A short time later he is flagged down by another driver, who has come across a woman lying by the roadside. The woman is Johnny's hitchhiker and she's dead.

Female gospel group the Angelic Gospel Singers have been a mainstay in the gospel community for more than 50 years. Their signature blues-influenced sound continues to inspire through this unforgettable compilation of live performances. Among the infectious numbers included here are "He's My Ever Present Help," "I've Got the Victory," "Sweet Home," "If You Can't Help Me" and "It Could Have Been the Other Way."

Ernst, a man in his thirties has lost his memory after an accident. His parents see this situation as another chance to raise Ernst into a perfect son, and enlist the help of a psychiatrist, a priest and an ideal daughter-in-law to be.

Scrappy's dog, Yippy, isn't feeling well. Scrappy sees a sign for Dr. Woof's Dog Tonic and thinks that's just the thing...

Making of Rock Candy Funk Party - We Want Groove

Following an incredible Edinburgh Fringe debut in 2019 and fresh from a 2022 Netflix special, Schalk Bezuidenhout is back with love in his heart and jokes in his pocket. Many say that this brand-new show is like Romeo and Juliet, except it's not at all and is from South Africa. I mean what else can we say? It's a comedy show. You will laugh. It's as easy as that.

A young woman becomes the victim of extortion.

Finnish artist Pilvi Takala has set up a fake start-up company to gain access to SLUSH, a three-day conference event and self-celebration for venture capitalists in Helsinki. A world of inflated power talks, civilised aggression and illusion, where the most important thing is that you believe in the whole thing yourself.

Bear's hat is gone. He loves his hat. He wants it back. He asks all the animals in the forest, but no one has seen it. WAIT. He has seen it somewhere.

A girl with bone cancer tells her story to the world through a radio DJ.

In this Joe McDoakes Comedy, Alice insists they go to a night club, although Joe is both tired and broke.

Music Video for the new song by the band Ora the Molecule

Experimental art short film

A woman travelling on the underground is bedeviled with images of desire. What She Wants – wholly created on an Amiga 1500 home computer – is a film about sex and shopping, the social deployment of sexuality, and capitalism in detumescence.