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Gandy Goose joins the home guard, a ramshackle bunch of barnyard creatures that mostly march and drill. At one point, Gandy is menaced by a fifth columnist, who travels in a literal fifth column from a porch.

The meetings between Renato Turnes and nine gay gentlemen who share their memories with him. The first desires, the awakening of sexuality, the boiling of gay youth in a country under the military dictatorship, the devastation of the AIDS epidemic, the confrontation of losses and stigma, the party as a territory of resistance. Reflections on the passage of time and the aging of gay men in Brazil

A Terrytoons cartoon released 7 July 1941.

Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today he’s in Moscow, in an undisclosed hotel room, on the run and at risk of assassination. Last week, a nobody. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button. Mike Bartlett’s darkly comic new play explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level. As the State grows more powerful because of technology, and technology grows more powerful because of the State, where do the self-appointed protectors of the rights of the citizen stand? Heroes? Or traitors?

Leaving thousands dead and homeless, the conflict in Sudan's Darfur region raged for years before the world intervened. This documentary provides a record of the events through the voices of refugees, women and children.

Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.

Short film called "Memory and Tribute" (1986) with scenes from the film "The Night of the Pencils" and the testimony of Pablo Díaz.

Bringing Baby Home: The Ultimate Baby Care DVD

Argentina's Public Television pays tribute to the outstanding singer-songwriter and composer Gustavo Cerati, with a tribute concert in which great artists such as Charly García, Fito Páez and Ricardo Mollo participated. Organized by the Ministry of Culture, Public Television and Radio Nacional Rock, the concert also included the participation of Benito Cerati, Leo Garcia, Richard Coleman, Lisandro Aristimuño, Fernando Nalé, Leandro Fresco, Gonzalo Córdoba, Julio Moura, Guillermo Beresñak and the bands Catupecu Machu, Massacre, Eruca Sativa, Borgeanos Stories and Rayos Laser. Gustavo Cerati was one of the most important artists of Argentine rock and led Soda Stereo, rock and pop band he integrated with Charly Alberti and Zeta Bossio between 1982 and 1997, and which was one of the most influential and popular of Ibero-American rock. His solo career, started at the beginning of the '90s placed him among one of the most prestigious rock musicians in the country.

Perry Henzell's feature NO PLACE LIKE HOME went unseen as the negative was thought lost for over 25 years. Found and restored, this 2019 release is a true cinema event. A beautiful film about a woman escaping her comfort zone, finding beauty, and rediscovering herself in an unfamiliar place can now be seen - with an incredible soundtrack handpicked by Henzell. It features songs performed by Bob Marley, Etta James, Carly Simon, Toots and The Maytals, Marcia Griffiths, Desmond Dekker and The Aces, The Sensations, The Three Degree, Ernest Ranglin, The Heptones, Nasio Fontaine, Lobo, Lord Messam and His Calypsonians, and a song recorded by P.J. Soles.

People who are homeless reveal homelessness from their own experiences dispelling common misconceptions and prejudices. Told as a personal journey, the film gives a broad analysis of the causes and conditions of homelessness while it analyzes news, TV reports and historical images of poverty. This film presents new ways to look at homelessness, displacing the debate from questions of charity to ones of social justice

Directed by innovative British filmmaker Kay Mander, this is a curiosity for devotees of public information films. School children act out new ideas for post-war education and investigate hidden histories near home, exploring industries, farms and Roman ruins around Bishop Auckland, then present an exhibition for local folk. Actuality footage of Wilsons Forge (closed in 1997) serves today as an elegy for one of the lost traditional industries in North East England.

How much strength of spirit does it require to remain truly independent in old age? Ken Smith is a hermit recovering from a stroke in an urban hospital, with determination to return to his off-grid woodland, despite concern from the medical service.

This short film is a humorous look at the tourist industry in Canada. In tongue-in-cheek fashion, it points out the importance of good public relations in the tourist industry - more specifically, what not to do to tourists. (Sourced from the National Film Board of Canada: https://www.nfb.ca/film/tourist_go_home)

100 years after a forgotten genocide, follow a young woman's journey to re-discover her identity as she searches for her long-lost ancestral house.

"Down in Suntown: San Diego's Homeless" is a documentary film from director/producer Corey B. Stevens and host/producer Michael Potter that explores different opinions and viewpoints on homeless life and issues in San Diego.

Home movies shot on the set of The People in the House.

A personal, poetic approach to narrative, originally shot on 8mm film and mastered to ¾” video. Created in collaboration with Gabriel Cohen

"I had a camera with which I could make multiple superimpositions spontaneously. It had been lent to me for a week. I was also given a couple of rolls of color film which had been through an intensive fire. The chance that the film would not record any image at all left me free to experiment and try to create the sense of the daily world in which we live, and what it meant to me. I wanted to record our home, and yet deal with it as being that area from which the films by Stan Brakhage arise, and try to make one arise at the same time." (SB)