Voirfilm Home Is Somewhere Else Film Gratuit

The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron

How do the houses we live in and their architecture affect our lives and lifestyles? The film explores the relationship between apartments and their inhabitants through the everyday life of people in four different flats in a housing project in Reykjavík.

A young girl tries to regain her mother's love by preparing her birthday.

The film presents the life and work of two sisters Grażyna and Violetta, who run a center for homeless men. The heart and unconventional approach to their children makes them build a real home together.

One in five families in Croatia lose their apartment or house due to being unable to pay back credit or keep up with overhead expenses. The rigorous Seizure Law provides banks and other institutions with an easier way of gaining real estate. When the system fails, when a citizen has nowhere to apply for assistance and when the unscrupulous administration dislodges them from their flats or houses, then young activists arrive to help and with their bodies prevent the execution of the eviction. HOME has recorded grievous scenes from the very places where the cordons of special police use force to drag away children, women, the young and the old - whose one and only wish is to stay and live in their only home.

A peasant went to work in constructions for a few years in Bucharest. He's thinking of returning home, but only after overturning his father's unfair sentence.

This is the directorial debut of Muzaffer Ozdemir, Palme d'Or awarded actor of Uzak / Distant (2002) by Nuri Bilge Ceylan, and also an actor in the Ceylan films Kasaba / The Small Town (1997) and Clouds of May (1999). Dogan, a pessimistic and neurotic architect, falls ill while camping with his friends nearby Istanbul. His doctor advises traveling. Longing for his homeland, Dogan sets off on a short break to the town of his childhood, whence he did not have the opportunity to visit since years. But not even the countryside has escaped the homogenizing concrete web cast by the modern technological age and liberal mentality inimical to the Earth.

Conversations between a mother and her son on their way back home from work in the course of a couple of days.

After a one night stand, a seventeen year old ponders the uncertainty of his future and the comforts of home.

A visual tale, through possibly both dreams and delirium, where an orphan boy plagued with loneliness and alienation find inspiration in an ill roommate as they journey to find a real home.

A man, freed from prison, finally reunites with his family but realizes that things are no longer the same.

An elderly couple living in a quiet town receives news that their only son has arrived.

Acclaimed Chinese TV documentarian Wang Haibing’s Home was an official selection at the 1996 Cannes Film Festival. The film records a story between humans and animals. The protagonists of the story are: a giant panda, who is about to be released into nature, and several ordinary workers at the rescue station to protect the giant panda. The relationship between man and nature depicted here is simple, harmonious and beautiful.

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

Home is the place where you store your dreams, your happiness, your serenity. But what do you do when you have to leave immediately, without thinking? Then there is nothing left to do but keep home in your heart and dream about coming back with every fiber of your soul. Tetiana has lived all her life in the Luhansk region, but due to the war, she has to decide whether to lose home or to lose her life. She left for the sake of her son's security. They lived in Kyiv for almost a year, but the worries about her mother and homesickness were stronger, and she decides to come back to take her mom with her, and to be at home at least for a moment again.

Home 1. Residential building, building. 2. People living together; a family. 3. The place of permanent residence of a person, characterized by a certain relationship and way of life. 4. In children's games based on the persecution (spots, hide and seek, etc.) - a place where the rules of the game can not be pursued.

Every year in Russia, tens of thousands of people are released from places of detention. They return to a free life, sometimes not for long. The most difficult process of adaptation to "freedom" begins. This film is about the newly released, trying to find their own, new way, as well as about people who help the recent prisoners to get on their feet.

Deals with Palestinian resistance, through the memory of an old woman placed by the camera in front of the spectators, as if to call them out and reminds them that "Home-Palestine" is still standing and will remain so.