Voirfilm Garden Of Remembrance Film Gratuit

A ship carrying Conquistadors is wrecked and the survivors are thrown ashore to struggle through the Yucatan jungle.

Jumping in to Drop Zones eight to ten miles from Arnhem on the second day of Operation Market Garden was always going to be difficult for Brigadier “Shan” Hackett's 4th British Parachute Brigade. With little information on how 1 Para Brigade's battle went the day before or what faced them on the ground the stage was set for an epic battle. John Waddy, v company commander in 156 Para Battalion and a team of Arnhem experts cover the ground where 4 Para Brigade fought with 9 SS Pz Div in the woods to the west of Arnhem in what was to be an unequal but heroic battle; the result of a flawed concept and plan.Driven back the Brigade was withdrawing across LZ P when the Polish heavy lift gliders swept in to cause. Captain Quirepel was awarded a posthumous Victoria Cross for his action in helping stem the enemy advance long enough for the Paratroopers to escape across the railway embankment by nightfall.

Celebrating the county's beauty - from the White Cliffs of Dover to the Thames Estuary.

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

Tales of the Copper Cross Garden: Episode 1 documents the process by which copper is drawn into wire from glowing, semi-liquid ingots. A choral mass provides the soundtrack, while sporadic all-caps intertitles weave biographical details (Baloji grew up in the mining region of Katanga in the Democratic Republic of Congo) with a reflection on the role of the Church in the colonial enterprise in Africa.

Canary Wharf is a modern architecture experiment, a city within the city of London. It has its own unique rhythm, style and architecture. It almost seems it was inspired by the writings of modern science fiction authors. This documentary attempts to grab the essence of Canary Wharf and its meaning to its occupants through the words of J.G Ballard.

Portraying the four seasons of the nature in the famous Danish garden Dyrehaven.

In Japan, during the waning days of WWII, recent widow Noriko clings to her husband’s family after he is killed in battle. But that familial love is quickly replaced by more forbidden urges, and the bonds between them turn physical. Yet there is another secret hidden in this home, one that in a time of war could bring great shame and place all of their lives in peril. A taboo tale that questions notions of love, loyalty and death.

When As’ad, a 12-year-old rubbish picker, adopts an American sex doll from the Baghdad dumps, he crosses into a perilous red zone, finding himself caught in the crossfire between abusive forces of commercialism and fundamentalism in a world where defenders of humanism have lost their power. He embraces the courage it takes to not just survive, but live.

A short film from Slovenia made by Karol Grossmann.

The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape" style... In this film, the viewer is invited to experience the garden as an embodiment of ma, a Japanese concept that conveys both time and space... The aesthetic of the film is the message, it has the quality of an experimental film, a conceptual film-an artwork in itself. Good balance of music/visuals/titles. If not as compelling for some viewers as for others, still rated as very effective. Makes one want to visit the actual garden and experience its spiritual energy. – Art on Screen

The film is about six people who meet in a hotel for a sex party. After taking a particular medicine, the situation is out of control ...

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

Philip looks like a man, who has it all: successful career and a beautiful girlfriend. However, he is still taking care of Victor, his sensitive brother, years after the death of their parents. Emma is slightly autistic, fallen out of time. At the night, she creates the model of a mystical garden in the back of her flower shop, where Victor works. Emma lives in spheres completely beyond Philip's reach. Through her garden, Philip realizes that he never felt so real until he met this otherworldly girl, he's falling in love with. His life is transforming - until Victor confesses that he, too, is in love with Emma. Torn between the love for his brother and for Emma, Philip feels the pain of loss for the first time. Under the surface of this contemporary urban drama, there are hidden invisible worlds, where unexpected miracles happen. "Perhaps the most tender Bulgarian film."

The short film, a performatic documentary, approaches a historic garden (in the Museum of the Republic), amid the urban chaos, the way people interact with each other and with it and how the garden unfolds in multiple facets, from the globalizing to the singular.

The film is a narrative starting from the story of Pierre and Syl, a couple that experiences the conflict between possession and freedom in a troubled relationship. Pierre is insecure and jealous, while Syl can’t even imagine that spending time with her friends will affect her boyfriend’s emotions – and also her own in a tragic way. A musical in tribute to Brazil, the garden of the Atlantic Ocean.