Voirfilm Garden Of Remembrance Film Grat

This film depicts a wife, in the process of starting a small garden on her home balcony. Although becoming gradually beautiful, the project evokes a cascade of feelings and bitterness.

Focused on his neighbours, Le Ciel dans un jardin continues the conversation, begun with the previous film, which is imbued with melancholy in the face of the impossibility of returning. This future mourning gives a particular colour to his observation, a combination of indifference (the repetition of the days governed by the principle of subsistence) and acuity (the contemplation of small things and of lost moments). The value of the shots finds itself enhanced, from the tactile close-up that captures the elementary actions—cultivating, eating, smoking—to the widest frame, espousing with a final gaze the frontiers of world that is about to be incorporated by the filmmaker as an interior landscape, a mental object. - Emmanuel Chicon

Elena goes home to the village, located on the front line in the "gray zone" of the Donetsk region, where she spent her childhood. In the garden, so that weeds do not climb on neighboring areas, her brother planted mustard. The girl lies down in the prickly grass and remembers how large and tasty apricots, cherries, pears and cherries were once.

Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...

When a real estate salesman is threatening the peaceful idyll of an allotment garden area, their inhabitants make a stand to protect their little paradise.

Using landscape shots from a series of Soviet collectivization films to expose relations of the Nature and the Hero, director challenges widespread understanding of socialist realism.

This short documentary film is conceived as a stroll through the valley of Thebes and the temple of Karnak.

Lin Alluna's 2016 documentary following a couple from Jordan

A filmmaker from Moldova tries to discover the truth about Soviet experiments in atomic gardening.

Leila, a girl from a poor family, who has no choice but to pick pocket in order to make ends meet. Leila meets Hamid Doosdar, an investor Businessman, while riding Metro that changes her life direction. Leila falls in love with Hamid and there is only one thing on their way, Hamid's wife. Leila considers the only thing blocking her happiness, Hamid's Wife. She plans her murder by using her ex-lover, but the story takes a completely different turn...

The beginning of the domestic feature film is the story of the transformation of a naive fairground splint into a salon mystical melodrama. Having gone under the shadow of glass pavilions-greenhouses, early Russian cinema is trying to hide from the impending historical catastrophe. The revolutionary storms that have broken out drive some of the film visionaries first to the Crimea, and then to emigration. For those who remained, the struggle for survival in the new conditions begins with the development of the genre of agitfilm.

There are essentially two types of people: those who think with their stomachs, and those who think with their hearts.

A three-part poetic study of Cressingham Gardens, an early-1970s social housing estate in South London.

Dead of night in a residential area. The crickets' chirping is interrupted by a strange presence, a slithering creature lurking in the darkness. An extraordinary interplay of light and shadow and a prodigious sound design in a short film full of sheer horror.

A life form wakes up in an unknown mysterious world. As he explores it, he slowly understands what kind of place it is. This world seems to be a beautiful place, but it is also fantasy, lacking what real life can offer. The being must consider to stay in the fantasy or return to the real.

The title Un enano en el jardin is an allusion to the Super 8 format and the setting where the actions that comprise the film unfold. A catalogue of extreme experiments with the mobility of the camera coordinated with brief improvisations by the Brazilian dancer Alice Bloch. It was mostly filmed with an Instamatic m22 camera (possibly the simplest and lightest Super 8 camera, with a fixed lens and manual diaphragm), so resistant that it functioned in conditions that would be unthinkable with a more complex camera, rotating at high speed around the optical axis or tied to a 35mm reel rewinder.

A filmmaker spends a year in the national garden of Athens, Greece and discovers the secret life of this place, by following several characters who seek refuge in its serene setting.